Regina de Miguel’s (Málaga, 1977) artistic practice is characterized by filmmaking and interdisciplinary artistic exploration that combines research and process development, resulting in the production of knowledge, films, and hybrid projects.

One of the main discursive threads in de Miguel’s work is the critical analysis of the supposed objectivity of scientific representation devices and the conditions of knowledge production, as well as the relationships between violence and extractivism over bodies and territories.

With a methodical approach, she establishes complex networks of connections that draw from the philosophy of science, ecofeminism, and speculative fiction, generating theoretical, existential, and poetic displacements where fragility operates as a form of resistance.