Explaining a Dead Hare to Art by Neil Powell I only met Barry Flanagan the once, as I recall he had dropped in to the old Royal College of Art Sculpture School in Queensgate, London ... great Salfordian poet (Dr) John Cooper Clarke, ‘I must go down to see again’[5]. Barry Flanagan: Animal, Vegetable, Mineral is at Waddington Custot Galleries, London W1S 3LT, until 14 May 2016 [6] Conceptual ... November 1965, Galerie Schmela in Düsseldorf, Germany. [3] Bibliography: The man who sculpted hares: Barry Flanagan, a life (2012) Directed by Peter Bach UK: BBC. In-line Citation: (Bach, 2012). [4] Exhibition at Waddington Custot

experience the physical world in nature and the physical world in our built structures, as sculptural. - Barry Flanagan1 Waddington Custot Galleries presents Animal, Vegetable, Mineral, an exhibition curated by Dr Jo Melvin, focusing ... Galleries celebrates his legacy which continues to influence and resonate in contemporary art practice of today. Barry Flanagan, Untitled (carving no.1/83), 1983, Dark Tuscan Travertine (stone carving ... Estate of Barry Flanagan

York, United States Paul Kasmin Gallery is pleased to announce an exhibition of sculpture by Barry Flanagan (1941 - 2009). The presentation, on view between April - June, 2018, brings together a selection of the artist ... making. Rather, they represent the distillation of Flanagan’s decades-long fascination with ontology, movement and the physicality of the various materials with which he worked. For Flanagan the activity of making sculpture, although primarily ... decades-long examination into the enduring influence of one of the world’s most celebrated artists. Barry Flanagan. Courtesy of Paul Kasmin Gallery

Tate Britain in London, United Kingdom Barry Flanagan (1941-2009) was one of Britain’s most original and inventive artists. This autumn Tate Britain presents a major exhibition which concentrates on his early works ... cloth, felt, clay, plaster and rope, Flanagan created sculptures that were a unique exploration of the interaction between idea, thought and process. This exhibition will highlight Flanagan’s concern with material properties and processes ... bronze from the late 70s, the exhibition ends with Large Leaping Hare 1982 (Estate of Barry Flanagan), which was exhibited in Documenta 7 in 1982. Flanagan’s profound interest in and engagement with literature, poetry

Galerie Lelong in Paris, France Barry Flanagan (1941-2009) is, like most great artists, difficult to classify. A sculptor, artist, engraver, installer, he practiced the subtle and adroit art of the contrary. This ... Collège de ‘Pataphysique and naming his son Alfred. Well versed in art history and particularly in sculpture, Flanagan had the talent to evoke it with liberty and virtuosity, by unexpected associations (boomerang and anvil, animal ... crescent moon and a dog. This exhibition is organisated in collaboration with The Estate of Barry Flanagan. A catalogue will be published with a text by Didier Semin. Solutions imaginaires. Courtesy of Galerie Lelong

Galerie Lelong in Paris, France Most people think of Barry Flanagan (1941-2009) as the sculptor of facetious hares. Galerie Lelong, which has been exhibiting the artist since 2004, has sought with its various presentations ... freedom, an irony and a virtuosity in his moulding that is unique to the artist. Barry Flanagan's works appear in the world's most prestigious contemporary art museums and his monumental bronzes

Galerie Lelong à Paris, France Barry Flanagan (1941-2009) est, pour un large public, le sculpteur des lièvres facétieux. La Galerie Lelong, qui expose l’artiste depuis 2004, s’est attachée, au cours de multiples ... liberté, une ironie et une virtuosité du modelé propres à l’artiste. Les oeuvres de Barry Flanagan figurent dans les principaux musées d’art contemporain du monde, et ses bronzes monumentaux sont installés dans plusieurs

Gruppenausstellung Break point, mit Arbeiten von Darren Almond, Matthew Barney, Elmgreen & Dragset, Barry Flanagan, Günther Förg, Katharina Grosse, Mark Grotjahn, Friedrich Kunath, Jake Longstreth, Eddie Martinez, Rinus Van de Velde und Grace Weaver ... allgemeine menschliche Qualitäten: Ausdauer, Zerbrechlichkeit, Hoffnung und Gleichgewicht. In Large boxing hare on anvil, 1984, stellt Barry Flanagan (1941-2009) den Hasen, ein für seine Agilität und Witz bekanntes Tier, dem Gewicht eines schweren Schmiedewerkzeugs

present the group exhibition Break point, featuring works by Darren Almond, Matthew Barney, Elmgreen & Dragset, Barry Flanagan, Günther Förg, Katharina Grosse, Mark Grotjahn, Friedrich Kunath, Jake Longstreth, Eddie Martinez, Rinus Van de Velde ... universal human qualities: endurance, fragility, hope and balance. In Large boxing hare on anvil, 1984, Barry Flanagan (1941–2009) juxtaposes the hare, an animal famed for its agility and wit, with the weight

Spot Press, working on a press kindly given to him by the family of the late Barry Flanagan. This has since been joined by a larger press made by artist James McCreary. Since then, Phelan

printmaking on a press kindly given to him by the family of his late friend Barry Flanagan, with whom he had worked closely. The paintings in this show are a result of Phelan's obsession

Roger Ackling, Keith Arnatt, Boyle Family, Thomas Joshua Cooper, Tony Cragg, Jan Dibbets, Ian Hamilton Finlay, Barry Flanagan, Hamish Fulton, Andy Goldsworthy, Antony Gormley, Susan Hiller, John Hilliard, Derek Jarman, David Lamelas, John Latham, Richard

sculpture et l'objet avec Jaume Plensa, David Nash, Wolfgang Laib, Kiki Smith, Rebecca Horn, Barry Flanagan, jusqu'aux installations de Barthélémy Toguo et Lin Tianmiao, mais aussi et toujours la peinture : David Hockney, Leon

artists: from sculpture and objects by Jaume Plensa, David Nash, Wolfgang Laib, Kiki Smith, Rebecca Horn, Barry Flanagan to installations by Barthélémy Toguo and Lin Tianmiao, without forgetting painting, namely David Hockney, Robert Motherwell, Kate

Philip Aguirre y Otegui, Nina Canell, Leo Copers, Honoré d’O, Lili Dujourie, Luciano Fabro, Barry Flanagan, Jef Geys, Maarten Herman, Louise Lawler, Kris Martin, Carsten Nicolai, Oksana Pasaiko, Juan Pablo Plazas, Hannelore Van Dyck

Philip Aguirre y Otegui, Nina Canell, Leo Copers, Honoré d’O, Lili Dujourie, Luciano Fabro, Barry Flanagan, Jef Geys, Maarten Herman, Louise Lawler, Kris Martin, Carsten Nicolai, Oksana Pasaiko, Juan Pablo Plazas, Hannelore Van Dyck

Hamilton and Ian Stephenson at the University of Newcastle-upon-Tyne 1965-69 and then with Barry Flanagan at St Martin’s in London 1969-70. In 1968 he spent time in New York working

After art college he moved to London and spent a year working with the sculptor Barry Flanagan whose poeticism during a time of strict minimalism greatly appealed to Randall-Page. During this time

window. The Second Floor will showcase dynamically-shaped ceramics by Ogawa Machiko, a marble sculpture by Barry Flanagan, and from the field of oil paintings, works by Yoshikawa Tamihito, Sakaizawa Kuniyasu, Okada Yo, Ito Masae

Renate Bertlmann, Marcel Broodthaers, Günter Brus, James Coleman, Ger Van Elk, Hans-Peter Feldmann, Robert Filliou, Barry Flanagan, Hans Haacke, Nigel Henderson, Ed Herring, John Hilliard, Kurt Kren, John Latham, Roelof Louw, Ana Medieta, Tony

reinstalación de All shadow which I noticed in (…), Amsterdam, 1969, una obra fundamental en su producción); Barry Flanagan (Prestatyn, Reino Unido, 1941 – Santa Eulalia del Río, Ibiza, España, 2009) trabajó con la luz como elemento

authorized the reinstallation of a fundamental piece All shadows that I noticed in (…), Amsterdam, 1969; Barry Flanagan (Prestatyn, United Kingdom, 1941 – Santa Eulalia del Río, Ibiza, Spain, 2009) worked with light as a primary component

first generation of conceptual artists at St. Martin's, which included Gilbert and George and Barry Flanagan. Louw was one of the few British artists included in Harald Szeemann's seminal exhibitionWhen Attitudes Become Form

colour; recent works by Ian Davenport from his acclaimed ‘puddle paintings’ series; and animal bronzes by Barry Flanagan, Britain’s most radical sculptor. Zilberman (Istanbul, Berlin, Miami) will host a presentation of works by Carlos

Stephenson at the University of Newcastle-upon-Tyne from 1965-69 and then with Barry Flanagan at St Martin’s in London from 1969-70. In 1968 he spent several months in New York working

Nasher, tra cui le opere di Germaine Richier, Tony Caro, Bryan Hunt, Jenny Holzer, Mirko, e Barry Flanagan. Verranno svelate al visitatore opere come Lettera a Palladio n. 6 (1977) di Giuseppe Santomaso, I cantieri