At La Cripta, Regine Schumann’s acrylic glass works enter into a direct dialogue with the architectural space. Installed in the lower, enclosed gallery, the objects respond to the room’s reduced daylight, its quiet atmosphere, and its clear spatial boundaries.

Rather than functioning as images on the wall, the works act as spatial markers. Color is not applied, but embedded within the material, unfolding through transparency, reflection, and depth. In daylight, the pieces appear restrained and precise, subtly activating the surrounding wall surfaces.

Under UV light, the space transforms. Fluorescent colors detach from the objects and radiate into the room, altering the perception of distance, volume, and orientation. The architecture becomes an active participant, absorbing and reflecting light.

The exhibition explores color as a material presence and as an immaterial, spatial force situated between control and transformation, object and atmosphere.