David Zwirner is pleased to present recent work from the last four years by British artist Bridget Riley, her third solo exhibition with the gallery. Spanning three floors of the 24 Grafton Street location ... forthcoming from David Zwirner Books, featuring new scholarship on the artist by art historian Richard Shiff. Bridget Riley was born in 1931 in London, where she attended Goldsmiths College from ... Galleria Civica d’Arte Moderna, Turin, and the Hayward Gallery, London. More recent solo exhibitions include Bridget Riley: Cosmos at Christchurch Art Gallery, New Zealand (2017); Bridget Riley: Venice and Beyond, Paintings

Gallery in London, United Kingdom David Zwirner is pleased to present an exhibition by British artist Bridget Riley organized in collaboration with Karsten Schubert. Featuring paintings and studies selected from all periods of her career ... artist’s first major survey in London since her 2003 retrospective at Tate Britain. “Bridget Riley is undoubtedly one of the world’s most significant living artists and her influence on present and future generations ... commissions for St Mary’s Hospital in West London. Born in London in 1931, Bridget Riley attended Goldsmiths College from 1949 to 1952 and the Royal College of Art from

Sims Reed Gallery in London, United Kingdom Sims Reed Gallery is delighted to present Bridget Riley: Prints & Gouaches 1962 – 2015, a retrospective of prints by Bridget Riley, in conjunction with Karsten Schubert. The show ... York (5-8 March 2015), which will showcase 10 prints and drawings from the Zig period. Bridget Riley was born in 1931 in London, UK, and studied at Goldsmiths College (1949–52) and Royal College ... brought to prominence by the Op Art movement during the early 1960s. Notable solo exhibitions include Bridget Riley: Drawings (Museum of Modern Art, New York, 1966); Bridget Riley: Works 1959–78 (touring, 1979); Bridget Riley

perspicacious, well learned. (Félix Fénéon on Georges Seurat) Comprising work made between 1960 and the present, ‘Bridget Riley: Painting Now’ surveys the development of Riley’s career-long exploration of looking and seeing in relation ... that “No painter, dead or alive, has ever made us more aware of our eyes than Bridget Riley” (Robert Melville, ‘New Statesman’ magazine, 1971). The truth of this pronouncement has been shared by generations ... invitation to consider the intellectual, philosophical and spiritual questions or experiences that her work enables. Bridget Riley’s investigation into the interactions of color, shape, composition and human perception have captivated viewers since the early

Musée d’Orsay à Paris, France Figure majeure de l’art optique (Op-Art), Bridget Riley, née en 1931 à Londres, a vu sa carrière bouleversée par une rencontre avec l’œuvre du maître post ... immense peintre britannique aux œuvres hypnotiques met en lumière cet héritage. La peintre contemporaine britannique Bridget Riley produit depuis plus de soixante-cinq ans des œuvres visuelles dynamiques qui engagent notre perception grâce ... couleurs, de lignes et de tons, mobilisant la rétine et suggérant le mouvement. L’exposition Bridget Riley. Point de départ explore comment l’étude de l’œuvre de Georges Seurat a constitué une impulsion fondatrice

Musée d’Orsay in Paris, France A leading figure in optical art (Op Art), Bridget Riley, born in London in 1931, saw her career transformed by an encounter with the work of post-impressionist master ... hypnotic works highlights this legacy. For more than sixty-five years, the British contemporary painter Bridget Riley has produced vibrant visual artworks that disrupt our perception thanks to the precise placement of colours, lines ... tones, which engage the retina and create an illusion of movement. The exhibition Bridget Riley: point de départ explores how Bridget Riley’s study of Georges Seurat’s work served as a defining moment

Blond Contemporary Gallery in London, United Kingdom Bridget Riley is the world’s foremost painter of light. She reveals that colour emanates both from within and without, unlocking the mystery of illumination as a shared ... radiance between the viewer and the viewed. (Phillip Blond. Gallery director) Bridget Riley (b. 1931) is one of the leading figures of Op Art, a movement that emerged in the 1960s exploring optical perception through ... field of energy, where colour itself constructs spatial illusion. Spectrum brings together an exceptional retrospective of Bridget Riley’s work from 1962 to 2020, tracing the evolution of one of the most important figures

July 2012 at Hazlitt Holland-Hibbert Gallery, London. It is 50 years since Bridget Riley held her first exhibition at Gallery One in Soho in 1962 and in celebration Hazlitt Holland-Hibbert and Karsten Schubert ... pleased to announce a two-part exhibition entitled Bridget Riley: Works 1960 – 1966 from Wednesday 23 May to Friday 13 July 2012. The exhibition will be held in both galleries, Hazlitt Holland-Hibbert, 38 Bury ... John Street, Golden Square, London W1F 9DR. This is the first exhibition ever solely dedicated to Bridget Riley’s (b. 1931) iconic black and white works and will include major paintings both from public

National Galleries of Scotland in Edinburgh, United Kingdom For more than 60 years, Bridget Riley (b.1931) has created dazzling and compelling abstract paintings which explore the fundamental nature of perception. Through her observations ... Riley’s expansive explorations into colour, wall paintings and recent works, as well as studies that reveal Riley’s working methods. The exhibition is organised by the National Galleries of Scotland in close collaboration with ... Gallery, London, where it will be on show from 23 October 2019 until 26 January 2020. Bridget Riley. Courtesy of National Galleries of Scotland

Kingdom Flowers Gallery is pleased to announce an exhibition of prints by Fiona Grady, Tess Jaray, Bridget Riley and Carol Robertson, focusing on a selection of works in which silkscreen printing has been used ... control the movement of the forms. Coloured Greys is a suite of three prints by Bridget Riley, produced during a period of the 1970s in which Riley moved from black and white to greys, before ... permanent collections at The Tate Collection (London) and The Victoria and Albert Museum (London). Bridget Riley (RA) was born in 1931 in London, UK, and studied at Goldsmiths College (1949–52) and Royal College

movimento. È l’alba dell’Op Art. Un’alba che accoglie anche il percorso di Bridget Riley. Op Art sta per Optical Art, ovvero Arte Ottica, quella tendenza artistica postbellica diffusasi nei primi anni Sessanta ... campo d’azione in cui agiscono forze. “Io non sono realmente astratta” ha dichiarato Bridget Riley, “in verità, lavoro con la natura, anche se in termini completamente nuovi”. “Per me la natura ... immagini vogliono ingannare i vostri occhi, farvi credere di vedere qualcosa che non è davvero lì." (Bridget Riley) La danza sottile dell'acqua

Bridget Riley at Hayward Gallery, London by Neil Powell When the name Bridget Riley (b.1931) arises in conversation, various epithets spring to mind; the (he)art of the swinging sixties1, the doyen ... really pains me to say it, but I think I would now rather encounter and remember Bridget Riley’s work through (lovely) books than having the real-time encounter with the works. This commentary ... particular retrospective that shines an unkind, if not withering, spotlight on a long life in art. Bridget Riley at Hayward Gallery, Southbank, London, (Oct. 23, 2019 – Jan. 26, 2020). 1 (The 1960’s I mean

Polish Painters, Museum of Modern Art, New York. In 1965 his work was shown alongside Bridget Riley and Frank Stella in the seminal Op Art group show - The Responsive Eye at MoMA. This was followed ... show at the Guggenheim in 1970. Whereas classical exponents of Op Art like Victor Vasarely or Bridget Riley treated the pictorial surface as the primary vehicle of artistic expression, Fangor considered the actual space surrounding

extraordinary prints by celebrated artists: Louise Bourgeois, Ken Kiff, Beatriz Milhazes, Victor Pasmore, Grayson Perry and Bridget Riley. For all these artists, printmaking forms a significant part of their creative output and the artworks ... bold assertions of color through a range of printing techniques. In Large Fragment 2, 2009, Bridget Riley’s signature op-art forms are rendered with vivid precision using screenprinting. In Pimenta vermelha (Red pepper

awarded a Distinction. From the late 1960s he began working as an 'Op Artist'. While Bridget Riley was exploring the optical effects of line in her black-and-white works, Whitaker started to investigate ... newly-established Serpentine Gallery, London. In 1973 he received the Mark Rothko Memorial Award (on Bridget Riley's recommendation) and spent a year working in New York. He has exhibited regularly at the Royal Academy

media, including sculpture, prints, paintings, photography, textiles, and ceramics, by artists including Alberto Giacometti, Francis Bacon, Bridget Riley, and Barbara Hepworth. London Art Fair’s specialisation in modern art remains strongly represented through the participation ... Perdita Sinclair, Suzy Willey, and others. Narborough Gallery will present pieces by Gillian Ayres and Bridget Riley, while Rabley Gallery will highlight Eileen Cooper RA. Works by prominent artists from the St Ives Group will

Marcel Duchamp (1887-1968), On Kawara (1933 – 2014), Claes Oldenburg (b. 1929), Sigmar Polke (1941-2010), Bridget Riley (b. 1931), Dorothea Tanning (1910 - 2012), Andy Warhol (1928-1987) and Rachel Whiteread (b.1963). The exhibition draws ... everyday, to alter perceptions, to celebrate the enigmatic and to anticipate the future. Highlights include: Bridget Riley’s Fall 1963 whose optically-dazzling work alters viewers’ visual perception of the world; Andy Warhol

Tate in St Ives, United Kingdom Bryan Wynter, Bridget Riley, Rivane Neuenschwander, Liliane Lijn, Barbara Hepworth, Dan Flavin, John Divola, Nicolas Deshayes What happens when art works are set in motion? When they move around ... similarly psychedelic vein of artwork, the exhibition will feature a suite of rarely seen works by Bridget Riley from the mid-1960s. A pioneer of Op art, Riley has for more than 50 years produced

includes graphic work by leading artists; Eduardo Chillida, Ian Davenport, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Bridget Riley, Sean Scully, Frank Stella and Josef and Anni Albers. Linear Abstraction runs concurrently with the exhibition ... offset lithography. His resulting prints are often characterised by bold, industrial colors and stark geometric logic. Bridget Riley emerged in the1960s as an influential pioneer of Op-Art. Although similar to Albers in her method

this exhibition gathers paintings (landscapes, portraits, shapes) by nearly twenty international artists from different generations, from Bridget Riley to Christian Rosa. Their artistic commitment harks back to some various eras when choosing a discipline –visual ... paintings. Each speaks of a moment in this panorama, a memory from the road: the stripes Bridget Riley started to paint over and over all life long, Betty Tompkins’ erotic paintings seized by French Customs

rassemble des peintures (paysages, portraits et formes) d’une vingtaine d’artistes de générations différentes, de Bridget Riley à Christian Rosa. L’engagement artistique des uns et des autres renvoie à des époques ... panorama, un souvenir de cette route. Les rayures recommencées toute une vie durant par Bridget Riley, les tableaux érotiques de Betty Tompkins, confisqués par les douanes lors de leur exposition à Paris au début

John Baldessari, Hanne Darboven, Gilbert & George, Robert Irwin, Craig Kauffman, Joseph Kosuth, Robert Morris, and Bridget Riley. Period works are installed with others created more recently, demonstrating these artists’ continued significance in the field ... Mucha, Senga Nengudi, David Ostrowski, Otto Piene, Michail Pirgelis, Gala Porras-Kim, Stephen Prina, Jon Rafman, Bridget Riley, Pamela Rosenkranz, Sterling Ruby, Ed Ruscha, Analia Saban, David Salle, Thomas Scheibitz, Andreas Schulze, Cindy Sherman, Stephen

this meticulous and considered work taking reference from Annie Albers and Sheila Hicks as well as: Bridget Riley, Frank Stella and Agnes Martin. Aiming to stimulate the viewers’ visual perception and pattern recognition facilities

presentation includes screen prints from the museum’s collection which he made at the request of Bridget Riley, Gordon House, Joe Tilson, R.B. Kitaj, Peter Blake and Eduardo Paolozzi. After spending several years acquiring experience

contemporary art will find reference points in the spatial complexity of Jackson Pollock, optical intensity of Bridget Riley, technical elegance of Vija Celmins or meditative process of Agnes Martin. Using the fine point

profound influence on a whole generation of contemporary artist some of whom include Bridget Riley, Olafur Eliasson and Spencer Finch. This exhibition confirms Espinosa’s standing as one of the most important international post

lineage of those whose particular formal strategies have defined their oeuvre: Carmen Herrera, Brice Marden, Bridget Riley. Born in 1967 in Lexington, KY, she received her BFA from Cooper Union in New York

vivid imagery, which here makes an ironic nod to Abstract Expressionism. ‘Op’ artists, such as Bridget Riley (Nineteen Greys, Large Fragment), soon recognised the suitability of screenprint’s unmodulated surface for work that required clarity

lineage of those whose particular formal strategies have defined their oeuvre: Carmen Herrera, Brice Marden, Bridget Riley. Born in 1967 in Lexington, KY, she received her BFA from Cooper Union in New York

1960s features major works by some of the leading artists of the period—such as Bridget Riley, Frank Stella, and Pop icon Andy Warhol—and reconsiders those who played an underrecognized, but vital, role

Nick Relph. Frieze Talks has included keynotes by John Baldessari, Dave Hickey, Yoko Ono and Bridget Riley. This year, Frieze Projects is curated by Sarah McCrory under the auspices of Frieze Foundation and supported

during a time when they were under-acknowledged—including Lesley Dumbrell, Sandra Leveson, Margaret Worth and Bridget Riley. Sweeney Reed. Courtesy of Heide Museum of Modern

minimal and kinetic properties of his metal constructions creating light and shadow, gravity and weightlessness. Bridget Riley’s colour lines explores ways to transform a two-dimensional surface in three dimensional space in order

colored feathers that comprise the image, a high-octane pink and blue herringbone pattern a-la-Bridget Riley. Not unlike Riley and the Op-Artists, de la Mora is interested in a kind of optical

minimal and kinetic properties of his metal constructions creating light and shadow, gravity and weightlessness. Bridget Riley’s colour lines explores ways to transform a two-dimensional surface in three dimensional space in order

aucuns ont déjà fait le lien avec les peintures d’Ellsworth Kelly ou encore de Bridget Riley. Mais cette nouvelle série nous mène encore plus en amont de l’histoire de l’art. A observer

field of abstraction from Joan Miró, Josef Albers, Sol LeWitt to Howard Hodgkin, Brice Marden and Bridget Riley. Taking Shape. Courtesy of Sims Reed Gallery

Ingram in London, United Kingdom At the heart of this exhibition is a complete survey of Bridget Riley’s early prints (1962-1968). The presentation includes all of her early black and white screenprints, starting

works equally evoke the high abstraction of twentieth century painters like Kazimir Malevich, Ellsworth Kelly, and Bridget Riley, ipping the relationships between abstraction, objecthood, surface, and scale that drove art historical discourses around Minimalism

seminal exhibition included works by Albers, Larry Bell, Max Bill, Gego, Agnes Martin, Ad Reinhardt, Bridget Riley, Frank Stella, Victor de Vasarely, among others. Gerstner was close friends with Max Bill, Josef Albers, and other

Condo, Mark Fox, Isca Greenfield-Sanders, Jane Hammond, Matt Kleberg, Paul Kremer, Anna Kunz, Sam Messenger, Bridget Riley, Richard Serra, Kiki Smith, and Jonas Wood. Considered one of history’s most important inventions, human beings

iconografía vinculada al mundo clásico, Pucci desarrolló cada vez composiciones más complejas influenciado por pintores como Bridget Riley, Barnett Newman, Robert Motherwell o Frank Stella. Llegando incluso a colaborar directamente con artistas italianos vinculados

Raymond Pettibon, Elizabeth Peyton, Sigmar Polke, Walter Price, Neo Rauch, Ad Reinhardt, Jason Rhoades, Gerhard Richter, Bridget Riley, Thomas Ruff, Robert Ryman, Fred Sandback, Raymond Saunders, Dana Schutz, Richard Serra, Steven Shearer, Josh Smith

whimsy and fanciful ethos of a Mary Heilmann, intermingled with the precision and execution of a Bridget Riley. Simultaneous points of contact between weird, off key colors, scintillating edges that come from adjacent colors

exhibition features works by some 20 artists, including Albrecht Dürer, Jacques Callot, Wassily Kandinsky, Henri Matisse, Bridget Riley, and Zarina. Sum of the parts: serial imagery in printmaking, 1500 to Now is curated by Naoko

Olitski, Yoko Ono, Dennis Oppenheim, Panamarenko, Pino Pascali, Walter Pichler, Larry Poons, Mel Ramos, Germaine Richier, Bridget Riley, Jean-Paul Riopelle, James Rosenquist, Teresa Rudowicz, Carolee Schneemann, Karl Schwanzer, George Segal, Richard Serra, Miriam Shapiro

Olitski, Yoko Ono, Dennis Oppenheim, Panamarenko, Pino Pascali, Walter Pichler, Larry Poons, Mel Ramos, Germaine Richier, Bridget Riley, Jean-Paul Riopelle, James Rosenquist, Teresa Rudowicz, Carolee Schneemann, Karl Schwanzer, George Segal, Richard Serra, Miriam Shapiro

perdite finanziarie, ha deciso di vendere alcune opere della sua collezione, tra cui un dipinto di Bridget Riley venduto per 1,9 milioni di sterline. Questo episodio evidenzia come, in tempi di crisi, l'arte

Marina Abramovich, Joseph Beuys, Francis Bacon, Lee Bontecou, Rebecca Horn, Valie Export, Wolfgang Mattheuer, Louise Nevelson, Bridget Riley, Pipilotti Rist, and Willi Sitte. The collection will be supplemented by a number of works and artists

Marina Abramović, Joseph Beuys, Francis Bacon, Lee Bontecou, Rebecca Horn, Valie Export, Wolfgang Mattheuer, Louise Nevelson, Bridget Riley, Pippilotti Rist oder Andy Warhol. Ergänzt wird die Präsentation schlaglichtartig um Werke von Künstlerinnen wie Kiki Kogelnik

clímax del feminismo de la segunda ola, la artista británica Bridget Riley afirmaba en su ensayo The Hermaprodite: “La liberación de la mujer, cuando se aplica a las artistas, me parece un concepto ingenuo

viewer's own act of looking. Writing on Swiss master Paul Klee, British artist Bridget Riley notes, "Every painter starts with elements - lines, colors, forms - that are essentially abstract in relation to the pictorial experience

Puebla, Mexico and the Sacred Valley in Peru; and the work of 20th-century artists like Bridget Riley and Anni Albers—women at the vanguard of geometric abstraction and material exploration. Aason’s fabric paintings

claramente orgánicas y artísticamente no pretenciosa. Sigue la tradición abierta por artistas pioneros como Anni Albers, Bridget Riley, Jesús Soto, Carlos Cruz-Diez y Yaacov Agam, cuyos descubrimientos se han transformado en décadas recientes

Frederick Sommer; and drawings by Parmigianino, Annibale Carracci, Cy Twombly, Helen Frankenthaler, Giuseppe Penone, and Bridget Riley. A celebration. Acquisitions in honor of the Morgan's centennial, exhibition view. Courtesy of Morgan Museum

Patterson, Walter Pichler, Larry Poons, Eckart Rahn, Martial Raysse, Germaine Richier, Willem de Ridder, James Riddle, Bridget Riley, Jean-Paul Riopelle, Mimmo Rotella, Dieter Roth, Teresa Rudowicz, Niki de Saint Phalle, Takako Saito, Antonio Saura

Patterson, Walter Pichler, Larry Poons, Eckart Rahn, Martial Raysse, Germaine Richier, Willem de Ridder, James Riddle, Bridget Riley, Jean-Paul Riopelle, Mimmo Rotella, Dieter Roth, Teresa Rudowicz, Niki de Saint Phalle, Takako Saito, Antonio Saura

potential to inspire. The exhibition will end with a new film featuring contemporary artists Frank Bowling, Bridget Riley, George Shaw and Emma Stibbon reflecting on the enduring legacy of Turner and Constable. John Constable, Hampstead

their chromaticity and image compositions: Agnes Martin’s characteristic horizontal stripes, Kazimir Malevich’s black square, Bridget Riley’s op art patterns or Piet Mondrian’s compositions in red, blue and yellow. His signature graphite

Haring, Banksy, Robert Indiana, Julian Opie and Damien Hirst. The exhibition also features powerful examples of Bridget Riley’s hypnotic geometric abstractions & Tracey Emin’s emotionally charged pieces; two of the most important contemporary