Passionate about fashion from an early age, I’ve been paving my path through this universe for over a decade. Brazil is my home, and from it I draw all the richness and diversity that breathe life into my work — the colors, sounds, textures, and stories that form the DNA of a vibrant and plural people. Growing up surrounded by such diversity taught me that fashion goes far beyond clothing: it is a reflection of society, a mirror of collective identity, and a tool for personal transformation. I have always believed that getting dressed is a form of art — a silent gesture capable of expressing who we are, where we come from, and where we dream of going.

Over time, I realized that my curiosity for fashion was, in essence, a curiosity for the human soul. Every garment carries intentions, meanings, and deep cultural contexts. That’s why one of my greatest passions has always been to dive into different cultures and learn from their ways of expressing identity. This is how I fell in love with Asia — especially Japanese culture, whose relationship with fashion and aesthetics is as singular as it is poetic. I have a special admiration for traditional Japanese garments such as the kimono, hakama, and yukata. Every fold, every fabric, every knot seems to hold centuries of wisdom and philosophy. Studying these garments feels like studying the very soul of a people — a meeting point between respect for tradition and the constant reinvention that defines contemporary Japan.

Immersing myself in this world has been one of the most inspiring steps of my journey. It’s fascinating to see how Japan’s millenary garments connect with the present, engaging in a dialogue with modern fashion and urban expression. The balance between minimalism and complexity, between silence and impact, deeply moves me. Japanese fashion has taught me that beauty can exist both in abundance and in absence, in boldness and in restraint. That duality is something I strive to translate into my own creations — pieces that bridge instinct and intellect, the old and the new, the local and the global.

Speaking of Japan, it would be impossible not to mention another love of mine: Japanese pop culture — especially manga and anime. Since childhood, I’ve been fascinated by their storytelling, by the complexity of their characters, and by the visual energy that radiates from every frame. What has always struck me is the way Japanese narratives explore profound themes — loneliness, love, identity, transformation — through layers of symbolism and emotion. In many ways, this sensibility has become part of my creative language. I often find traces of that world in my collections: the tension between light and shadow, the drama of form, the emotional depth of color. Anime taught me that every detail can carry meaning, and that beauty — much like fashion — is born from an attentive eye.

Beyond aesthetic references, there is in me a deep sense of purpose. I am an active advocate for the LGBTQIA+ movement and firmly believe that fashion has a social role far greater than the mere act of dressing. To me, it is a territory of freedom — a space where the body becomes a canvas and clothing, a declaration of existence. The way we choose to present ourselves to the world can often be an act of resistance. I believe that everyone deserves to feel comfortable in their own skin, free from judgment or exclusion. I fight for fashion to be inclusive, welcoming, and free of prejudice — a fashion with soul, with truth, with purpose. Because to get dressed is also to resist, to celebrate, and to affirm who we truly are.

Another essential aspect of my life is the constant desire to learn. I have an almost insatiable curiosity for new knowledge, which often manifests through the study of languages and cultures. Learning a new language, to me, feels like opening a new window to the world — a way of understanding new ways of thinking, feeling, and expressing. This ongoing search keeps me moving forward, with my feet in the present and my mind reaching toward the future. And, naturally, this restless curiosity directly feeds into my creative process. Every new discovery sparks new ideas and connections. After all, fashion is built from references — and the more the eye is nourished, the more capable it becomes of creating something authentic.

Amid the rush of everyday life, I always carve out time to read. Reading is both my refuge and my fuel. Informing myself, exploring new worlds, and diving into different narratives expands not only my vocabulary but also my imagination. Reading, for me, is an exercise in empathy and creative silence. It allows me to build richer narratives — in words, in garments, and in life. I truly believe the mind, much like the body, needs constant training — and reading is the gym for the soul.

When it comes to creativity, it’s impossible to ignore how completely it permeates my life. On one hand, it’s a blessing: ideas come like a storm, a flood of images, sounds, and sensations constantly forming inside me. On the other hand, it’s a challenge. The creative mind is restless — sometimes even chaotic. It’s a constant battle between creating and organizing, dreaming and executing. Over time, I’ve learned that this chaos is not an enemy but an ally. There’s beauty in imperfection, in movement, in the tension between order and disorder. That’s what gives life to my work — what makes every project unique and filled with its own pulse.

And finally, there’s something that has always been there, quietly waiting for its turn: writing. Writing has always been a silent passion — and, to be honest, a fear. The idea of putting my thoughts on paper and giving voice to what’s inside my mind used to intimidate me. But I’ve decided to face that fear. Perhaps it’s time to embrace writing the same way I embraced fashion and every other adventure that crossed my path. I’m curious to see where it will lead me. After all, fashion and words have a lot in common — both tell stories, both transform us, and both have the power to make us see the world through a new lens.