The artist's solo exhibition at the Pina Contemporânea building stems from the unfolding of her research, which intertwines photography, archives, and memory.

The exhibition uses photography as a medium and an expanded field, connecting Yura's recent visual essays to a robust body of documentary work inherited from her, which allows her to develop investigations around memory, autobiography, and visual culture.

Based on the understanding that photography stems from plurality, the exhibition is structured around two essays by Yura. In them, the artist's body is presented as a meeting point between her two family nuclei. From these, Alice Yura explores themes such as ancestry, immigration, and gender roles.

A photographic act also extends into an activation space: a photographic studio, installed in the center of the exhibition space, invites the public to pose and produce images. Throughout the first month on display, Alice Yura leads a series of free workshops.