I am the sun, I am the new year is conceived as a playground for joyful revolution. Drawing from the spirit of Dada, Marcel Duchamp, and Federico García Lorca, the exhibition rejects authoritarianism and the unnatural systems of oppression it sustains, while remaining attentive to the uneasy presence of historical ghosts.

These tensions unfold across a series of symbolic and imaginative terrains: the dance floor, the chessboard, the depths of the sea, and the surface of the moon. Each space becomes a stage where play, strategy, desire, and disorientation coexist, inviting viewers to move between celebration and confrontation.

Rather than offering a single narrative, the exhibition embraces contradiction as a form of resistance. In doing so, it proposes joy not as escapism, but as a radical force—one capable of unsettling inherited structures and opening new ways of imagining freedom.