The 74-meter-long free span was designed by the architect Lina Bo Bardi as a civic square, a meeting place for various cultural events such as dance, theater, music, and circus, as well as interactive and educational exhibitions. The work of Iván Argote (Bogotá, Colombia, 1983) reinforces the purpose of the space by proposing an interactive installation made up of two mobile platforms placed at the ends of the space, transforming it into a field for sensory and social experimentation.

The work functions as a large seesaw that tilts as visitors walk around, reflecting the dynamics of balance and collective movement. When a single person moves, the balance remains almost unchanged; however, collective action can completely redefine the inclination of the platform, which tilts to one side or the other. The most complex situation occurs when the participants distribute their weight evenly and achieve a state of stability.

Curated by Adriano Pedrosa, Artistic Director, MASP, and assisted by Matheus de Andrade, Curatorial Assistant, MASP, the installation proposes new interpretations of public space, urban interventions and power structures. Iván Argote’s seesaws challenge the idea of monuments – symbols of collective memory and history – by transforming public space into an open playground: a meeting place that encourages coexistence, dialogue and interaction within the community.

“This is a historic moment for the museum. One of the central features of Lina Bo Bardi’s project was the confluence between the museum space and the free span beneath it. Argote’s work dialogues with Lina’s thinking and suggests a metaphor for the relationship between the individual and society, highlighting the power of collaboration for bringing about change. By combining playfulness and reflection, the artist invites the public to rethink their interactions in urban space and community life. It’s a very appropriate piece for this new phase of the Museum,” says Matheus de Andrade.

The work arrives in Brazil after being exhibited at the Lyon Biennale in France in 2024, Riyadh in Saudi Arabia in 2023, and the Centquatre in Paris in 2017. Redesigned to fit the free span at MASP, the seesaws are 15 meters long, five meters wide and two meters high. The work can be seen by anyone passing by on Avenida Paulista at any time and is open to visitors every day from 10 am to 10 pm.