In her latest exhibition of new paintings, Calida Rawles explores parallax: how changing our point of view can change the way we see the same moment. Known for merging hyperrealism with poetic abstraction, Rawles situates Black subjects within dynamic, fluid environments, using water as both a vital material and a historically charged space through which questions of identity, memory, healing, and belonging come into focus.

This new exhibition centers on a series of three paintings based on photographs Rawles took of her youngest daughter in a pool. Captured within seconds of one another as Rawles moved around her in the water, the photographs record essentially the same moment from shifting positions and perspectives—each yielding an entirely different composition and visual experience. As she notes, “I became interested in this subtle shift: how proximity, distance, angle, and movement can transform what we see without changing the moment itself.” Through abstraction, water, light, and the movement around the figure, the resulting works create spaces that feel at once intimate and expansive.

The three paintings differ significantly in scale, structure, and composition. Rather than presenting a single, fixed view, they create a dialogue between perspectives, each offering a distinct interpretation of the same fleeting moment. Together, they suggest that no moment is entirely singular—that it can be experienced, remembered, and understood differently depending on where we stand. There is a sense of quiet and stillness within these works, as well as an invitation to slow down and consider the world from another perspective. As Rawles concludes, “Parallax considers the relationship between perception and position, how changing where we stand can change not only what we see, but how we understand what we have seen.”

Rawles’ work, Like other Gods with ancient rage (2023), is currently on view at the National Portrait Gallery in Washington, D.C., as part of the museum’s permanent collection. The exhibition follows Rawles’s first solo museum presentation, Away with the tides, which debuted at the Pérez Art Museum Miami in 2024 before traveling to the Memphis Brooks Museum of Art in 2025, the Cummer Museum of Art & Gardens in Jacksonville, Florida, and, in 2026, concluded its tour at the Spelman College Museum of Fine Art in Atlanta.