CLAMP is proud to announce Eye candy, an exhibition pairing the intricate sculptures of Thomas Lanigan-Schmidt (b. 1948) with the evocative photography of Bill Costa (1944–1995). This exhibition celebrates a unique creative dialogue between two New York artists who, despite working in disparate media, found a shared language and mutual appreciation for the male form.

In the early 1990s, Lanigan-Schmidt and Costa forged a friendship rooted in mutual artistic admiration. At the time, Lanigan-Schmidt was already celebrated for his “trashy opulence”—a signature style that transformed humble materials such as aluminum foil, cellophane, and pipe cleaners into maximalist mixed-media constructions. Concurrently, Costa had established himself as a master of the male nude, known for his high-contrast, black-and-white portraits of models posed against decaying urban backdrops.

The works on view at CLAMP are the result of a rare exchange: Lanigan-Schmidt requested imagery from Costa to integrate into a new series of “playful sculptures.” Costa responded with contact sheets from his most iconic portrait sessions. From these, Lanigan-Schmidt fashioned a series of crowns, bouquets, and candy dishes, embedding Costa’s imagery into glittering, kaleidoscopic objects.

Eye candy features these sculptural works displayed alongside Costa’s original lifetime prints, reuniting the subjects and the art they inspired. The exhibition captures a moment of peak creative synergy between two gay artists of the same generation, reflecting a shared obsession with the sacred, the profane, and the beauty of the human body.