Among the trees is part of an ongoing investigation centered on drawing as territory. Through the appropriation of images drawn from art history, graphic novels, documentary cinema, and applied arts, the artist constructs a scene in which line becomes the protagonist, at times in tension, nearly touching the field of painting.

The landscape does not appear as a straightforward naturalistic representation, but rather as a space traversed by visual and temporal layers that refer to different traditions of image-making.

In this operation, drawing functions as an apparition: an unstable, almost spectral form that continuously manifests and fades away. As the artist himself notes, the idea of drawing operates analogously to that of a ghost, creating a stage in a perpetual act of presences and absences.

In Among the trees, the image of the landscape becomes a sensitive threshold where memory, fiction, and materiality coexist, inviting contemplation shaped by the ephemeral and the latent.