Ancestral visions of the future unfolds as a sensitive field in which life is understood not as a closed form, but as a force in the process of becoming. Drawing from embryonic images present in the egg, the seed, the earth, and water, the works explore latent states of life and propose an understanding of the world as an interdependent system.

Matter—copper, moss, water, and volcanic ceramics—appears active, in constant circulation and transformation, shifting away from an extractive gaze toward a perception of the territory as a living organism.

Within this framework, elements such as bees, potatoes, a fragmented globe held by turtles, and the protective figure of the jaguar open up temporalities and worldviews that exceed modern logic. In dialogue with the South American landscape tradition and as a tribute to Nicolás García Uriburu, the exhibition activates an ecological and spiritual dimension in which water and germinating forms function as metaphors for a constant process of becoming.

Rather than simply contemplating a landscape, the exhibition invites viewers to reconfigure their relationship with life through its most subtle, invisible, and essential states.