The timeless appeal of Neapolitan comedy comes alive once again in the vibrant heart of modern Rome. Within the cultural space of Teatro Prati, a rich blend of precious elements takes shape: the tradition of “true theatre,” costumes faithfully crafted according to the tailoring styles of the period, stage sets recreated with authentic antique pieces, and the performance of ageless masterpieces that continue to captivate audiences.
For this reason, Fabio Gravina—Artistic Director of Teatro Prati, located on Via degli Scipioni in the Prati district—has once again chosen to bring an ensemble production to the stage: ’O tuono ’e marzo, a comedy by Vincenzo Scarpetta that Eduardo De Filippo famously brought to television, starring himself alongside Paolo Stoppa and Rina Morelli.
In Gravina’s new adaptation—who also appears among the protagonists—the production will run from January 23 to March 1, 2026, and is produced by Arte del Teatro. The outstanding cast includes Corrado Taranto and Eduardo Ricciardelli, Alida Tarallo, Pierre Bresolin, Sara Scotto Di Luzio, Luca Cardillo, Michele Sibilio, Sara Guardascione, and Alessandro Casola. Together, they bring to life a story rich in satire, fast-paced rhythms, and intricate plot twists designed to spark continuous laughter.
At the heart of the story lies the family, a cornerstone that remains fundamental both yesterday and today. Sofia, sister of Don Saverio, confesses to him that she was once the victim of a fateful incident. During a trip to Rome, while resting in her hotel room, a violent storm broke out during the night, complete with thunder and lightning. Frightened, she left her room in search of refuge in her brother’s, but due to the darkness, she mistakenly entered the room of a stranger and fainted at the terrifying sound of a thunderclap. The unknown man took advantage of the situation.
From that troubled encounter was born Don Felice Sciosciammocca, Sofia’s natural and secret son, now engaged to Marietta, the daughter of Don Saverio. Sofia did everything she could to identify the man who had wronged her, even hiring a private investigator—without success. One day, however, the deceitful servant Turillo, having overheard the secret during a private conversation, declares himself to be Don Felice’s father. Felice, unaware that Donna Sofia is his real mother, is drawn into the deception.
Matters become even more complicated when Don Alfonso Trocoli returns from America, and the investigator recognizes him as the true father of Felice Sciosciammocca. An unmissable grand finale ensues.












