Border chronicle proposes the existence of a museum of nothing-in-particular. Within this space authoritative taxonomies and systems of knowledge production are rejected in favour of poetics. Novel arrangements take priority over the production of hierarchies. Things are not known, they are felt.

This exhibition borrows from the non-conventional modes of display found within community and hobby museums. It prioritises these alternative systems over more dominant, institutional modes of knowledge production.

In doing so, Border chronicle explores the poetic potentiality that exists between objects, images, and ideas within these unconventional spaces.