A bootleg compilation of fixations, leftovers, and outtakes.

In this new solo exhibition, Pascale Giorgi brings together a body of sculptural works formed through a process of remixing, reviving, and reassembling. Experiments, failures, leftovers of successes and half-baked ideas are mashed together to create sense from the detritus of the artist’s studio in a kind of anti-retrospective, a worst hits compilation.

Worst hits features familiar motifs from Pascale’s practice: knock-off Neo-classical sculptures, tiny bricks, humorous vegetables, urns, jesters, animals, and Toyotas. Drawing from traces of past shows, sketches from visual diaries, or things never shown because they were structurally or conceptually unsound, old ideas resurface as pseudo-archaeological artefacts of an art practice.

Part studio clean-out, part exorcism, Worst Hits alludes to the invisible spectre of storage and expensive studio rent, while mapping an artistic practice, tracing recurring themes, research interests, and materi