The exhibition springs from a reflection on the image as a construction, understood not merely as a representation of reality, but as a space in which perception, identity and culture intertwine. The artist’s work focuses on the idea of the filter, both as a material element that intervenes in the visual process and as a symbolic device that shapes the way we present ourselves and are perceived.

In this context, the image becomes a space of mediation between the visible and the invisible, between personal experience and public representation. Reality is not rendered directly, but transformed through aesthetic and conceptual choices that amplify its most intimate and layered dimensions. What emerges is a body of work that challenges the notion of authenticity, highlighting how every image is the result of an intentional construction.

The project thus occupies a suspended dimension, where times, languages and references overlap, generating a visual space in which past and present are in constant dialogue. Within this tension, identity appears as something unstable and performative, constructed through images that oscillate between revelation and concealment.