The work of Guido Bagini seems to contain the elements of a subliminal message, almost a rebus encoded in the format of a rectangular monitor or a computer screen.

This message is issued by the juxtaposition of images of architectural structures, with views of pools and design elements mixed with skinny botanical elements, mostly added as settings, like rendering design projects.

The vegetation, not decisive element above, seems to be, in this new phase, an important detail to which the artist seems to devote a renewed interest.

The scenes depicted by Guido Bagini imply the presence of a “private eye“ who attends a still image containing special incongruous .

We are spectators of these compositions inspired by a secret life, or someone is watching us through them?

The artist in fact breaks the image into portions which further complicate the unitary perception of the subject, blurring the thresholds between a situation in which it does not appear to human being or animal, and the limit beyond which, predictably, the reality is ordered and completed.

To further emphasize the feeling of suspension in time and fogging of overlapping realities, Guido Bagini uses besides the usual materials ( cardboard glued on Dibond) tablets of reflective zinc etched with acid.

Gallerie The Flat - Massimo Carasi

Via Paolo Frisi, 3
Milan 20129 Italy
Ph. +39 025 8313809
theflat-carasi@libero.it
www.carasi.it

Opening hours

Tuesday - Saturday
From 2.00pm to 7.30pm

Related images

1, 2 & 3 Installation views
4. Guido Bagini, Technogreen 008, 2014 enamel on cardboard and zinc polished on dibond 61 x 61 cm
5. Guido Bagini, Technogreen 006, 2014 enamel on cardboard and zinc polished on dibond 67 x 66 cm
6. Guido Bagini, Technogreen 007, 2014 enamel on cardboard and zinc polished on dibond 62 x 68 cm