For more than 50 years, Richard Tuttle has been loosening the boundaries between painting, poetry, and sculpture to realize a materially light, conceptually rich body of work. Conceived in close dialogue with Tuttle, this exhibition presents two recent series: the planar 18 × 24 (2022–23) and the multifarious Good idea (2025–26), which the artist realized in his New Mexico and Maine residences, respectively.

The 18 × 24 series continues Tuttle’s lifelong exploration of the nexus between the verbal and the visual, each of the acrylic-painted Styrofoam works originating from a word drawing on an 18-by-24-inch sheet of paper.

Conversely, the works in the Good idea series are composed of reclaimed everyday materials, scattered across the gallery’s walls and floor to articulate shifting relationships among their constituent parts, one another, and the supporting architecture.