Garden theory, Ruby Palmer’s fifth solo exhibition with Morgan Lehman Gallery, tests how structure can be drawn from wilderness without losing its unrestrained vitality. These paintings are borne from time spent looking into dense natural spaces, where growth and decay exist without hierarchy. Orientation is unstable. Rather than a fixed ground, the paintings present us with dense fields through which the eye must sift, pause, and reestablish its point of view.

Although Palmer sketches, takes notes, and photographs plants, her references fall away in the studio. The paintings are built from memory, intuition, and formal decision-making. Shapes that recall leaves, vines, or branches are organized by the felt power of composition rather than description. Pattern tightens her surfaces. Gesture opens them back up.

Palmer’s process grows out of lived experience. In her twenties, the artist spent days walking the hills and mountains of Colorado with friends, searching for edible mushrooms and arrowheads. Most days yielded nothing, but this practice of deep looking sharpened her attention and patience. She continues this discipline on daily walks through woods, fields, and gardens in Upstate New York.

As Palmer describes it, “I walk my dog every day in the woods or in the fields or past other people’s gardens. Certain flowers reach their season and bloom. Black raspberries become ripe. Tulip trees shed blossoms onto forest trails packed with broken leaves. A butterfly wing, dried fungi, a fallen branch, layers of leaves. There are brief shards of bright sky between branches, and the relationship between positive and negative space can produce a floating sensation. In memory, everything blends together.”

Gardening and painting, for Palmer, are practices grounded in the continuity of life. Both unfold over time, shaped by forces that cannot be fully controlled. Plants inhabit fragility and invasion as much as beauty and abundance. Despite the social and political fracture of the present moment, and the ecological tumult planet Earth is undergoing, what emerges from Palmer’s work is an insistence on life itself, on growth that proceeds chaotically, mysteriously, and beautifully.