Rather than making art about disability, I was making art with my disability.

(Joseph Grigely)

Joseph Grigely (b. 1956) was born and raised in East Longmeadow, Massachusetts. At the age of ten he fell down a hill and became completely deaf. At this point, he began a journey that he describes as “watching the world with the sound turned off,” paying close attention to language, communication, and the vagaries of human interaction. Grigely is an artist and writer whose work addresses questions about the materialization of language and communication, and the ways conversations might be represented in the absence of speech.

The work currently on view, “Paula’s Birthday Party,” literally does what conversations around a table typically do: it turns. From one speaker on one side to another speaker on another side, and sometimes both speakers talking on top of each other. It illustrates how conversations are fragmented, layered, and how there’s no fixed trajectory between the beginning and the end.

The imagery comes from a conversation—on a tablecloth, from a restaurant on Spring Street in New York City in 1996, during a birthday party for the artist Paula Hayes. Over the years, Grigely kept the cloth, but the original inks had faded, and the wine spills oxidized from red to brown. In 2016, the availability of high-resolution scanners for oversized documents meant that the tablecloth could be scanned. Through careful editing of the colors and contrast of individual lines, the work was brought back to life, and the various aspects and layers (different inks, stains, etc.) were unified as an archival pigment-based print. Furthermore, the work is hung diagonally, so that the viewer is positioned as the artist was: between two people, one on the right and one on the left. This format is also intended as a formal reference to Mondrian’s diagonal paintings.

In 2026, Joseph Grigely will have solo exhibitions at Palais de Tokyo, Paris, and Air de Paris, Paris, and will be included in group exhibitions at Syracuse University Art Museum and Musée d’art contemporain de Marseille. A new publication will be released by Palais de Tokyo. In 2025, he had a solo show at The Shed, Rouen, France, was included in group exhibitions at Z33, Hasselt, Belgium, Museum Voorlinden, Wassenaar, Holland, Maxxi, Rome, Museum of Contemporary Art Chicago, La Chartreuse, Avignon, Foundation Vincent Van Gogh, Arles, and Robert Heald Gallery, Wellington, New Zealand. In addition, he was the subject of two interviews, one with Ayden LeRoux in the Winter 2026 issue of Bomb magazine and one with Rachel Be-Yun Wang in Documenting time countering form (London: Chisenhale Gallery). His latest book, Otherhow: essays and documents on art and disability, 1985-2024 was released in January 2026 by Primary Information.