London, United Kingdom This summer Tate Britain presents a survey exhibition of the celebrated British painter, Patrick Caulfield. From the 1960s, Caulfield (1936 – 2005) has been known for his iconic and vibrant paintings of modern ... exhibition offers the chance to reassess his influences and the legacy of his approach to painting. Patrick Caulfield runs in parallel to an exhibition on contemporary artist Gary Hume (b. 1962), offering visitors the chance ... alongside each other two complementary British painters from different generations. Patrick Caulfield came to prominence in the mid-1960s after studying at the Royal College of Art where fellow students included David Hockney

Waddington Custot in London, United Kingdom In a solo exhibition of the celebrated Patrick Caulfield (b. 1936 – d. 2005), Waddington Custot look deeper at the artist’s practice across a variety of media, from ... dusk falls in the evening. Speaking to art historian Marco Livingstone in the early 1980s, Patrick Caulfield explained: ‘Once I got on to shadows, I really went to town; they became compositional elements, in fact ... observation of light, I’m making up an idea of how light could appear to be.’ Patrick Caulfield. Courtesy of Waddington Custot

Cristea Roberts Gallery in London, United Kingdom Alan Cristea, who worked with Patrick Caulfield from the early 1970s until the death of the artist in 2005, presents a retrospective survey of the artist’s original ... have been haunted by that painting throughout my life and I needed to exorcise the ghost”. Patrick Caulfield was born in London, UK in 1936. He began his studies at Chelsea School ... Luxembourg (1999); Calouste Gulbenkian Foundation, Lisbon (1999); Yale Center for British Art, Connecticut (1999). Patrick Caulfield, Les Demoiselles d`Avignon vues de Derriere, 1999, Screenprint Paper, 132.1 x 111.7cm, Image

Waddington Custot Galleries, London. Waddington Custot Galleries is pleased to present a wide-ranging exhibition of Patrick Caulfield’s work. A selection of his early paintings dating from the 1960s, some on loan from private ... paintings, where pools of light and abstract areas of shadow frame the composition. By the 1980s, Caulfield is using relief within his paintings to add further definition to the still-life objects. In drawing together ... mail@waddingtoncustot.com www.waddingtoncustot.com Opening hours Monday - Friday from 10am to 6pm Saturday from 10am to 1.30pm Patrick Caulfield, ‘Engraving’, 1983, acrylic on canvas

Britain and how British artists like Richard Hamilton, Peter Blake, David Hockney, Allen Jones and Patrick Caulfield irrevocably shifted the boundaries between popular culture and fine art, leaving a legacy both in Britain and abroad ... centre). Other artists exhibited in the show will include Clive Barker, Derek Boshier, Pauline Boty, Patrick Caulfield, Antony Donaldson, Jann Haworth, David Hockney, R.B. Kitaj, Gerald Laing, Nicholas Monro, Eduardo Paolozzi, Peter Phillips, Richard Smith ... Hockney ever sold (which still has its £12 price tag on the back), and works by Patrick Caulfield, Allen Jones and Derek Boshier. The exhibition firmly established the Pop movement on the UK art scene

printmakers from the mid-20th and the first decade of the 21st century. Featuring works by Patrick Caulfield, David Hockney, William Hogarth, Peter Howson and Gary Hume, among others, Face to Face offers a rare ... Home; Paula Rego’s homage to Jane Eyre in her lithographs of Mr Rochester; an early Patrick Caulfield screenprint – Portrait of a Frenchman, 1971; Tim Noble and Sue Webster’s Double Double Vision Vision

Green and includes works by: Phillip Allen, Helene Appel, Sara Barker, Heidi Bucher, Sophie Bueno-Boutellier Patrick Caulfield, Stuart Cumberland Peter Davies Patrick Hill, Evan Holloway Allison Katz Germaine Kruip Rezi van Lankveld Jack Lavender

years by late artists, both from the gallery’s collection and Alan’s personal collection, including Patrick Caulfield, Richard Hamilton, Roy Lichtenstein, Pablo Picasso and Dieter Roth, as well as prints by Josef Albers, Henri

Clive Barker, Jean Michel Basquiat, Larry Bell, Wallace Berman, Peter Blake, Derek Boshier, Edward Burne-Jones, Patrick Caulfield, John Chamberlain, Brian Clarke, Nick Danziger, Jim Dine, Jean Dubuffet, John Dunbar, Charles Eames, Liz Finch, Ralph

Royal College of Art from 1959 to 1961 where he was a contemporary of Patrick Caulfield, Peter Phillips, Allen Jones and also David Hockney, who remained his closest painter friend up until his death

suggest professionally. However there is a definite intellectual link as Vestalia herself particularly likes Patrick Caulfield’s works. His paintings deal with matters of illusion, through the traditional medium of painting he paints beautiful

compositional structures of American abstract artists such as Barnett Newman, Mark Rothko and Jackson Pollock. Patrick Caulfield, Parish Church

also well represented in the exhibition with prints by Gerald Laing, Allen Jones, Richard Hamilton and Patrick Caulfield (whom Hamilton introduced to the screenprint medium). Roy Lichtenstein’s Brushstrokes illustrates how the commercial technique

London and inspired by a well informed academic background – the artist was a pupil of Patrick Caulfield who considered him to be one of his most brilliant students –, is situated in an area of critical

desenvolvida em Londres e estimulada por um contexto académico muito informado – o artista foi aluno de Patrick Caulfield que o considerava um dos seus mais brilhantes estudantes –, se situa numa zona de afastamento crítico

training in 1952 at the Royal College of Art in with Peter Blake, Allen Jones, Patrick Caulfield and David Hockney, who alongside Tilson were instrumental in the birth of British Pop Art. Joe Tilson

Artist in Residence at the National Gallery in 1980 and won the Jerwood Painting Prize (with Patrick Caulfield) in 1995. Solo exhibitions include British Museum (2015 / 16), Somerset House, London (2015) National Gallery, London

Henri Ford. In January 2014, it reopened in Berlin with a solo show of work by Patrick Caulfield. From 2003 to 2009, Tillmans served as a professor at the Städelschule in Frankfurt. Tillmans considers

Artist in Residence at the National Gallery in 1980 and won the Jerwood Painting Prize (with Patrick Caulfield) in 1995. Solo exhibitions include British Museum (2015 / 16), Somerset House, London (2015) National Gallery, London

make prints on a much bigger scale than other methods. At over a metre across, Patrick Caulfield’s Two Whiting (1972) - from the aptly titled folio 14 BIG PRINTS fully exploited this quality, as well

Royal College of Art in the 1950s alongside Peter Blake, Allen Jones, Patrick Caulfield and David Hockney. His teaching career included spells at St. Martin’s, the Slade and The School of Visual Arts

Beattie to exhibit work in the Hayward Annual (Hayward Gallery, London) alongside Gillian Ayres, Anthony Caro, Patrick Caulfield, Ben Nicholson and others. Beattie has been greatly influenced by The New American Painting show at Tate

become some of the best-known names in British art: David Hockney, R.B. Kitaj, Patrick Caulfield and Allen Jones. From 1964 to 1974 she taught at the Yehudi Menuhin School. As with many mid-century

seen in the UK before. The exhibition will run parallel to a survey of celebrated painter Patrick Caulfield (1936-2005), offering visitors the chance to see alongside each other two complementary British painters from different

exhibited widely in the company of many leading artists including Damien Hirst, Howard Hodgkin, Patrick Caulfield and Gilbert and George at venues ranging from the Courtauld Institute, Somerset House to Voloshin Museum, Crimea. His work

related imagery. Artists included in this exhibition are: Clive Barker, Peter Blake, Patrick Caulfield, Rosalyn Drexler, Robert Indiana, Claes Oldenburg & Coosje van Bruggen, Robert Rauschenberg, Lucas Samaras, Haim Steinbach, Joe Tilson, John Wesley

often acerbic challenges to this life posed by artists such as Richard Hamilton and Patrick Caulfield (who knew and admired Upton’s work). As such, Upton’s paintings are not only covetable in their

exhibited widely in the company of many leading artists including Damien Hirst, Howard Hodgkin, Patrick Caulfield and Gilbert and George at venues ranging from the Courtauld Institute, Somerset House to Voloshin Museum, Crimea. Darren Coffield