One of the most compelling figures in the history of British art and poetry, William Blake (1757–1827) developed an idiosyncratic worldview during a tumultuous era that witnessed the American and French Revolutions. He expressed his radical perspectives on religious belief, politics, and society through highly original illuminated books, watercolors, paintings, and poetry.

This exhibition showcases the Yale Center for British Art’s impressive collection of works by Blake, with special focus on the inventive hand-printed publications that bring to life his poetry and prophecies.

The YCBA’s extensive holdings include Blake’s most innovative and celebrated books, such as Songs of innocence and of experience (1789–94) and The first book of Urizen (1794). Blake’s mastery of watercolor painting and his phenomenal imaginative powers are evident in the one-of-a-kind illustrations for The poems of Thomas Gray (between 1797 and 1798) and in the only fully hand-colored version of his culminating poem, the 100-page Jerusalem (1804–20). This stunning presentation highlights the artist’s ambitious vision and skill, as well as his unparalleled contributions to art, literature, and spirituality.