Király draws from recent, everyday photographic “notes”, as well as intimate self-portraits from the 1990s, which she reframes and recontextualizes with scraps of cardboard and hand-made drawings, transforming the original images into artefacts that unfold in space.

These three-dimensional objects also contain a reflection on the photographic medium itself: They evoke the apparatus (the camera body) and its capacity of taking us through layers of time, into the meanders of our memory.

The exhibition will also display a human-scale Viewfinder: a translucent sculpture that allows the interplay of the image and the surrounding light, while reminiscent of the large-format cameras of the photographic pioneers. A series of photograms inspired from the same stock of images and acrylic material will complete this cohesive cycle of works. With those photograms, Király goes back to the two-dimensional paper and to the fragility of the seminal technique of “drawing with light” – while also exploring the full potential of her images, up to the limits of abstraction, and opening new spaces for thought.