She brings a fantasy realm that might imply time travel or a desired future, not rooted in science or anything known today, but that represents a place to which all of us can run and escape to.

For this show, Megan blends textile works with paintings and installations that are both dreamlike and unsettling. Haunting and intellectually stimulating narratives that navigate between seriousness and the absurd. Alongside dark, subtle social commentary, she deliberately uses crazy colors and fun subjects that are “hard to be mad at”, ensuring the work disarms the viewer with a smile even as it provokes deeper thought.

Every work is a complete piece of storytelling in unique and eccentric settings. It’s a hypermediated reality, meticulously translated into tapestry. It’s the result from a feed that oscillates between climate disaster and a shopping spree.

If we lived here, we’d be home by now is a cheesy line from real estate ads. Move here, it’s closer, you’ll be happy. But the comfort we were promised is receding. No stable job, no affordable housing. Like displaced ghosts overpopulating Ikea stores, we share the anxiety of a rootless generation, victims of gentrification, crammed into the same bland, flat-pack simulation of a house. No future?