In this space, artists from Latin America, Africa, and Asia come together around a shared ground: the remembering earth. The title What the land remembers refers to a deeper consciousness that dwells in landscapes, materials, and bodies. The works reveal how natural and cultural traces—from colonization to migration, from spirituality to resistance—become tangible through image and texture.

Maria Abaddon (b. 1988, Peru) works with wool and soap in felting technique. Her textile figures are monuments to corporeality and resistance.

Julia Aragão (b. 1997, Brazil) expresses the ethereal, the melancholic, and the mystical aspects of everyday life in her painterly practice, which is deeply influenced by the Barbizon School and the Impressionists.

Manuel Chavajay (b. 1982, Guatemala) creates paintings rooted in Maya heritage, combining oral tradition, spirituality, and community.

Raúl Cordero (b. 1971, Cuba) presents Blue in Green, referencing the jazz piece by Miles Davis. His paintings merge past and present into quiet stories that linger in the surroundings.

Diango Hernández (b. 1970, Cuba) approaches the portrait as an animated landscape in which he seeks to capture not the outward appearance, but the inner presence and transience of the human being.

Alberto Lamback (b. 1985, Brazil) paints rhythmic, organic compositions where nature and pattern flow together. His work is sensory and spiritually connected to the tropical environment.

Tania Marmolejo (b. 1975, Dominican Republic/Sweden) shows monumental portraits of women with enlarged eyes: simultaneously present and elusive.

Harumi Ōri (b. 1966, Japan) presents tranquil human figures. With a meditative approach, she invites viewers to reflect on the wonder of the ordinary and the preciousness of ‘being’.

Thales Pomb (b. 1989, Brazil) explores the boundaries between the real and the imaginary, the material and the spiritual, with his work closely connected to the Cerrado biome and the emotional memories of his region of origin.

Aryane Siebra (b. 1999, Brazil) paints landscapes as moments of calm and contemplation, with nature taking center stage. The artist seeks to depict beauty and invites us to return to the present moment and observe attentively — a movement she considers a political act.

Paulo Valeriano (b. 1999, Brazil) sees painting as a way to detach a moment from time and reinsert it into a new reality, with the horizon line in his works marking the boundary between memory and imagination.