Observatory redux by Ann Kronenberg encompasses many interpretations relating to using art, science, and religion to create order, unity, and comfort with the disorderly and vast reality of space, and internal psyche. This eighteen-foot installation in CBG’s On the wall space is built from polychromed wood, electrical wiring, bulbs, and bookwork. The first interpretation, an observatory, is meant to display the stars in anthropomorphized constellations as they have been throughout history to give a more concrete connection between space and humanity. By displaying the stars in this way, Observatory redux conveys a sense of cosmic connectedness that is attainable through art. Much like art, religion also aims to connect humanity to abstract ideas.

Because of this, the piece resembles an altar that demonstrates the kinship of religion and art. Thirdly, Observatory redux can be interpreted as a rocket ship to demonstrate that humanity aims to control the vastness of space to avoid seeking solutions to problems on Earth. The mythologic stories conveyed in Observatory redux are used to parallel Kronenberg’s own conflicts and life. Finally, the connection of individuality and the stars demonstrates the complementary principles expressed in the Yin-Yang of Chinese philosophy. Observatory redux is meant to express numerous ideas relating to the need of humanity to understand and control abstract ideas.

Ann Kronenberg is a versatile artist and writer whose creative endeavors span a wide array of mediums, including sculptural objects, installations, book works, works on paper, handmade paper works, wearables, and performance art. Beyond her visual creations, Kronenberg also delves into literature, crafting memoirs and texts for her book works, adding depth and narrative to her artistic expressions. Her work has been exhibited in galleries and exhibition spaces in New York City and across the nation. With a rich background in education, Kronenberg has shared her passion for art with students of all ages, teaching adult education courses, children and adolescents, and facilitating continuing professional education.

Her extensive experience extends beyond the classroom, encompassing roles in arts and non-profit administration, editorial work for artists' newsletters, published art criticism, clothing design for retail markets, and costume design for performances. Additionally, her illustrations have been featured in national magazines, showcasing her multifaceted talents. She studied art and art history extensively, earning her MFA in sculpture from Hunter College. However, her academic journey began with her undergraduate major in biological sciences, receiving an AB from Cornell University, and continued with years of teaching science and working in laboratories. This unique background infuses her art with a distinctive perspective, as her scientific training informs both her subject matter and analytical approach to artistic creation.

Observatory redux is on view until November 8, 2025.