The interwar period also marked one final golden age of ornamentation, as patterns flourished in a burst of unprecedented creative diversity. Some reflect the Art Deco movement with their luxuriance, while others, more classical in appearance, follow the 19th century stylistic tradition; there are further examples that display a hitherto unparalleled austerity, often categorised as part of the modernist family of styles. However, these various movements are given a low-key role in this exhibition; here, diversity and richness of form take precedence over labels, showcasing the dazzling creativity of this period.

Style for all

The exhibition is intended to show how these interior decors were experienced by the majority of the population – how did a fashion or a style reach into every level of society, and how did it manifest itself in less affluent homes? Department stores and the cinema played a major role in this respect. This aspect will be illustrated by a remarkable set of soft furnishing designs from the Van Hoe collection. These previously unseen creations were designed by anonymous artists and have never before been on public display. They are representative of high quality but more accessible Art Deco works.

Style for a select few

In addition to creations intended for more modest incomes, certain notable interior designers produced bespoke ensembles. These precursors of interior architects designed entire living spaces for the wealthiest clients.