The exhibition brings together a heterogeneous selection of images chosen by the artist, originating from diverse contexts and sources. Sambini constructs a narrative with an ironic and provocative tone, in which images are not mere tools but protagonists—displayed in their autonomy and aware of their own form and function.

Images at an exhibition offers a critical reflection on some of the contemporary aesthetics that populate both domestic and public spaces, navigating between political tensions and decorative layering. This visual weave reveals a baroque sensitivity that resonates with our times, rich in stimuli and contradictions.

Each image stands out for the specificity of its aesthetic and procedural language, generating an open and dissonant dialogue. From these relationships emerges a shared and autonomous exchange, where images act as independent entities, capable of redefining their meaning within the exhibition context.

Sambini invites the public to observe the mechanisms of contemporary visual representation, offering a space where the artwork asserts itself as a living, communicative, and independent presence.

The exhibition forgoes any didactic intent, affirming instead the self-determination of images, regarded as active protagonists within our aesthetic, political, and social imagination.