The exhibition will showcase Foster/White Gallery's collection of James Martin's work, with an expansive display of over 100 paintings. The pieces span from the 1960s to the early 2010s. Martin's scenes feature a myriad of recurring characters and items of influence and significance to the artist. Picasso, Mona Lisa, eggbeaters, pretzels, tubas, and more converge and play off one another. Brought to life through his distinct style of painting, James Martin's instinct for storytelling transforms the ordinary into the extraordinary.

James Martin worked primarily with gouache on brown paper, and sometimes added ink, graphite, charcoal, or collage while framing his work. His figurative scenes are at first glance humorous, with a myriad of characters from parrots, fish, and monkeys to Shakespeare, Picasso, mermaids, and pilots. A closer read reveals Martin's ingenuity; he often utilized subtle visual wordplay, veering headlong into topics that without his deft hand might feel weighty. Martin used his free-flowing style of painting to depict a never-ending stream of characters. He certainly wasn't one to shy away from ideas or issues that dwell at the corners of our collective psyche.

Martin held a BA from the University of Washington, Seattle. His paintings are shown across the Northwest, including Seattle Art Museum, Seattle, WA; Henry Art Gallery, Seattle, WA; and Bellevue Arts Museum, Bellevue, WA. James Martin is also the subject of Sheila Farr’s 2001 monograph, James Martin: Art Rustler at the Rivoli. His work is in collections including the Tacoma Art Museum, Tacoma, WA; the Museum of Northwest Art, La Conner, WA; and the University of Washington, Seattle, WA. Foster/White Gallery has represented James Martin for nearly four decades.

James Martin passed away on December 15, 2020. He was 92.