Historically, the value and prestige of a sculpture was determined both by the artist’s celebrity but also by his or hers choice of material. Numerous artists during the Renaissance and Pre-Renaissance made extensive use of terracotta (which was often painted) however, the so-called ‘noble’ materials of marble and bronze were always viewed as having greater value compared to ‘lesser’ surfaces such as plaster, wax and terracotta itself. In fact these were often used principally for ‘bozzetti’ (preparatory studies).
Already in the early twentieth century these divisions were broken down as the second Cubist School and later on Arte Povera amongst others introduced a whole range of new possibilities of what could constitute a sculpture. The contemporary art world with its atavistic hunger to consume and provide an endless source of ‘newness’ has consistently enlarged its borders, now including a range of materials which were previously considered to be the exclusive realm of the ‘decorative’ arts.
There will be 17 artists in the exhibition ranging from established names such as the American Leonardo Drew, the Brazilian artist Arthur Lescher and the Argentinian artists Sebastián Gordín and Marie Orensanz to young and emerging talents in the early stages of their career.