Bastiaan Woudt, a young and largely self-taught artist, first attracted acclaim in 2016 when he was awarded the Van Vlissingen Art Foundation Prize which made possible Karawan, a series of work in Morrocco. For Mukono, a project that began as a commission from the Marie-Stella-Maris Foundation developed into a narrative achievement evincing Woudt’s timeless aesthetic.
In the tradition of Walker Evans and the Farm Security Administration photographers, Woudt tells a community’s story by focusing on the individual and intimate.
Travelling to Mukono, Uganda to photograph the water resources in a region with limited access to safe water, Woudt transforms a documentary project into a visual poem. Talismans permeate the series — water jugs, hands — resulting in an allegorical and cohesive body of work distinguished by a blend of classicism and contemporary post-production techniques.









![Isamu Noguchi, Model for US pavilion expo ’70 [unrealized], 1968. Courtesy of High Museum of Art](/attachments/71f96babdf072b34508e50d75e23c82cff1c3a47/store/fill/330/330/ea438c15ffbd9a045abd399d68efb6a3ddd47177aa74dbdcb2f6f0250c38/Isamu-Noguchi-Model-for-US-pavilion-expo-70-unrealized-1968-Courtesy-of-High-Museum-of-Art.jpg)





