Quint Gallery is pleased to present Sasha Koozel Reibstein: eternity utters a day, the artist's third solo exhibition with the gallery. Including more than 70 handbuilt candlesticks and sculptures, as well as thrown clay vessels and vases holding flowers, candles, and other organic matter, the exhibition expands upon the accumulating visual vocabulary that has become signature to Reibstein's work.

Exaggerated drip forms coated in metallic luster finishes, looping curvatures in the primary clay body that suggest portals or windows, and colorful rubble textures created from bits of glazed studio debris play into an atmospheric world that is simultaneously familiar and uncanny. These new works become vessels in a broader sense, holding growth, traces of time and information, and acts of care and ritual.

The exhibition's title is drawn from a translation of a Hebrew prayer, invoking the relationship between immeasurable time and the present moment. Reibstein began developing the exhibition before receiving a sudden diagnosis of a rare form of lung cancer. As she has continued working throughout treatment and uncertainty, concepts of memento mori, resilience, and regeneration under pressure—ideas already present in her practice—have taken on an unexpected immediacy. Together, these elements shape an environment attuned to cycles of transformation, dormancy, and renewal, and to the expansiveness of geological time in relation to both the natural world and the human body.