Sérénité is an exhibition born from an intimate experience of loss and renewal. Following the passing of her partner, with whom she shared more than thirty years of life and artistic creation, Anne Jaeckin goes through a period of profound rupture. Returning to the studio becomes a vital gesture—a space for reconstruction, both personal and artistic. From this inner journey emerges a series of sculptures in which the body is no longer simply a form, but an energy in motion.

The female figures appear suspended in a silent dance: they turn, rise, implore, carried by an invisible breath. Movement, central to the work, becomes the very language of serenity—not as a static state, but as a recovered inner force.

Constructed in layers—an iron armature, a polystyrene core, wire mesh, fiber, and cement—the sculptures retain the memory of gesture and time. Natural pigments, applied instinctively, make each work unique; visible striations give the surface a vibrating, almost living skin, while certain areas, highlighted with gold leaf, appear as points of light and repair.

Two forms of serenity run through the exhibition: one spiritual, close to prayer; the other internal, tied to energy and alignment with oneself. The faces, calm and deeply inhabited, do not seek to seduce but to convey a silent presence.

This exhibition marks the culmination of a path where transformation becomes possible, and where, even in loss, a movement toward peace can emerge.