Dans la forge créative d'Hamza Kadiri, l'œuvre se révèle comme une transcription palpable de son état d'âme, un paysage intérieur sculpté dans la matière. Son processus créatif intègre une part de hasard, donnant naissance à des formes vibrantes et évocatrices, où chaque sculpture devient un dialogue unique entre maîtrise et imprévu.

Hamza Kadiri's creative forge reveals the work of art as a palpable transcription of his state of mind, an inner landscape sculpted in matter. His creations are not mere objects, but seismographs of his inner emotions, visceral translations of his internal movements.

The artist explores his own psyche, using wood, bronze and charcoal to write his inner diary. The act of deconstruction and construction, far from being trivial, is a means of making the immaterial manifest, of giving form to what would otherwise remain elusive.

Each work is a fragment of this interior dialogue, an attempt to materialize the complexities of being. Raw forms and organic textures testify to a search for authenticity, a desire to reconnect with the very essence of existence.

Hamza Kadiri not only creates objects, he also shapes states of mind and fleeting emotions. His works are instantaneous shots of his consciousness, testimonies to his quest for meaning. They invite the viewer to plunge into the depths of the human soul, to explore the meanders of interiority.

The artist uses his art as a mirror, reflecting both his own image and that of humanity as a collective. His creations are invitations to introspection, to contemplate the darkest and brightest corners of our being.

Beyond materiality, Monochrome absolu orchestrates a silent symphony, an ode to the intangible. It reaches into the interstices of perception, sounding the abysses of consciousness to extract forms that, even though palpable, resonate with a strange immateriality. Rough textures, broken lines and mineral tones are merely clues to a deeper language, that of visceral emotions, buried memories and indescribable aspirations.