Paper trails: Latin American art in print (1950-1995) features important portfolios of modern and contemporary Latin American printmaking in the collection of the Blanton Museum of Art.
During the 1960s, as interest in Latin American art increased internationally, curated print sets emerged as portable exhibitions showcasing the art of the region and of particular countries to audiences abroad. This show explores prominent portfolios produced in the context of a regional printmaking boom that was bolstered by a network of international biennials, key printmaking studios, and the support of transnational corporations.
It will feature print sets produced in influential workshops in Mexico and Puerto Rico, while also featuring print sets from other countries, including Bolivia and Paraguay, whose art is seldom exhibited in the United States.
(Curated by Florencia Bazzano, Assistant Curator of Latin American Art, Blanton Museum of Art)
![Leticia Tarragó, Muñeca 2, del portafolio Diez grabados mexicanos [Doll 2, from the portfolio Ten mexican prints] (detail), circa 1970. Courtesy of Blanton Museum](http://media.meer.com/attachments/c73bfc08ee69673f04cd59c8aa44fb3b2a6d469e/store/fill/1230/692/2929e02ea3bc9e2250b3b7aa7d3c42581bf5ffd80e9d9f3288633c99f607/Leticia-Tarrago-Muneca-2-del-portafolio-Diez-grabados-mexicanos-Doll-2-from-the-portfolio-Ten.jpg)

![Rogelio Polesello, Surmandalismo, del portafolio Gráfica latinoamericana [Sur-mandalaism, from the portfolio Latin American graphic art] (detail), 1971. Courtesy of Blanton Museum](http://media.meer.com/attachments/bf78b6e5f304ebf3bd1b62fcebeee29596aa732b/store/fill/410/615/d8fe18f7b8b8eb5992a6591ab043bce622f8e2cbe3764e597885d5937d65/Rogelio-Polesello-Surmandalismo-del-portafolio-Grafica-latinoamericana-Sur-mandalaism-from-the.jpg)
![José Antonio Torres Martino, Cangrejeros, del portafolio grabados: la estampa Puertorriqueña [Crabbers, from the portfolio engravings: The Puerto Rican print] (detail), 1951. Courtesy of Blanton Museum](http://media.meer.com/attachments/63a5fcce4f0e57c59778bf1008ea41986d32d156/store/fill/410/615/2b07acd04b95b7c529fa95b831b7374e19158404668dfcb934afcc861d8b/Jose-Antonio-Torres-Martino-Cangrejeros-del-portafolio-grabados-la-estampa-Puertorriquena.jpg)
![Enrique Grau Araujo, La cita, del portafolio 21 estampadores de Colombia, Mexico y Venezuela [The date, from the portfolio 21 printmakers of Colombia, Mexico and Venezuela] (detail), 1972. Courtesy of Blanton Museum](http://media.meer.com/attachments/ba83810904efea01658ac48b10b2051788144ed5/store/fill/410/615/a0d9118f6ffc4edd5993b6b7125fd0d73353f0957626b9d54fba114dea15/Enrique-Grau-Araujo-La-cita-del-portafolio-21-estampadores-de-Colombia-Mexico-y-Venezuela-The.jpg)


![Betsabeé Romero, Al reverso de la pista [On the other side of the track], exhibition view. Courtesy of Blanton Museum](http://media.meer.com/attachments/e34357b533edcabd157cd23df35e2397c276a6bf/store/fill/330/330/a18279d745d1c0fe495891cad1f670b7d648211d009bb1e394576baaaa61/Betsabee-Romero-Al-reverso-de-la-pista-On-the-other-side-of-the-track-exhibition-view-Courtesy.jpg)
![Pierre-Alexandre Aveline, L’enseigne de Gersaint [Gersaint’s shopsign], 1732. Courtesy of Blanton Museum](http://media.meer.com/attachments/c5370da82bda65bbf2a5ffb19cb78ae64984c3aa/store/fill/330/330/266ac860d2c6aeb404ddd64b2c2db1048cf20b581337c6a38146d5cc4ce5/Pierre-Alexandre-Aveline-Lenseigne-de-Gersaint-Gersaints-shopsign-1732-Courtesy-of-Blanton.jpg)







