In parallel, Casas Riegner presents for the first time in Colombia the short film Shapes of visions that fly at night by Carlos Alfonso. The work traces a journey through deserts, mountains, and botanical gardens where the biological, mythical, and dreamlike intertwine without hierarchy. Beginning with the memory of a father and the seeds he left behind as a legacy, the piece unfolds a constellation of narratives in which botany becomes a spiritual language and bodies (non-human entities, animals, and plants) function as repositories of stories.

The film constructs a shifting territory inhabited by inexplicable phenomena, luminous horses, medicinal plants, toxins, millipedes, and figures emerging from the shadows. In this landscape, perception and hallucination, science and superstition, memory and mutation coexist on the same plane, questioning the solidity of the narratives we use to understand the visible world.

Although each exhibition moves from different concerns and registers, both converge in deep dialogue. While Díaz Escamilla examines how certain processes persist beyond their material disappearance, Alfonso explores the visions that emerge when the natural and the spiritual intersect. Together, the exhibitions open a threshold where the boundaries between matter, perception, and narrative dissolve, inviting visitors into a territory where the living and the imagined coexist.