William Turner Gallery is pleased to present Longing and belonging, the gallery’s first solo exhibition by Los Angeles–based artist Guillermo Bert, opening 5-8 PM November 15, 2025. This landmark exhibition brings together three major series spanning two decades of Bert’s practice —Warriors, Encoded textiles, and Jacquard punch cards—each exploring the intersections of tradition, technology, and migration in the 21st century.

Born in Santiago, Chile, and based in Los Angeles, Bert transforms materials and digital media into cross-cultural artifacts that preserve stories often silenced by systems of displacement. His works fuse ancient craft traditions with augmented reality, QR codes, and 3D modeling, creating a poetic dialogue between the handmade and the high-tech.

In Warriors, Bert reimagines the ancient terracotta army of the Qin Dynasty as honor guard for today’s society, comprised of our essential workers and often unsung heroes—laborers, nurses, teachers, and farm workers. Each life-sized, laser-cut birch figure is modeled from 3D scans of real individuals, standing as a contemporary monument to endurance, dignity, and service. The precisely etched surfaces capture both fragility and strength, while an accompanying soundscape allows visitors to hear the workers’ own voices, grounding their stories in lived experience. Together, these figures form a resonant chorus of resilience—guardians not of emperors, but of the collective humanity that sustains us.

In Encoded textiles, Bert collaborates with Indigenous artisans across the Americas to weave QR-coded patterns into traditional fabrics. When scanned, the codes reveal short films that share oral histories, poetry, and personal narratives—turning each textile into a living archive.

Finally, the Jacquard punch card series revisits one of the earliest coding technologies—the 17th-century punch card, developed for weaving patterns on the loom, which prefigured the computer by utilizing a binary code as a form of language. By burning portraits of immigrants into layered punch cards, Bert creates haunting hybrids of tapestry and code, weaving together the analog and the algorithmic, the historical and the contemporary.

Through these works, Bert explores how human identity and migration continue to be woven—literally and metaphorically—into the fabric of global modernity.