gallery: Jean Dubuffet, Maria Helena Vieira da Silva, Arpad Szenes, Fermín Aguayo, Miodrag Dado, Gérard Fromanger, Louis Le Brocquy and Miguel Branco, alongside rarely seen works of Eugène Dodeigne, Antonio Segui, Magdalena Abakanowicz, and Gérard ... that it “informs the space of its presence”. The expressive intensity of the works of Louis Le Brocquy, in the face of the chiaroscuro of the Spanish artist’s Personnage dans l’ombre, works with

galerie : Jean Dubuffet, Maria Helena Vieira da Silva, Arpad Szenes, Fermín Aguayo, Miodrag Dado, Gérard Fromanger, Louis Le Brocquy et Miguel Branco, qu’accompagnent des œuvres rarement montrées d’Eugène Dodeigne, Antonio Segui, Magdalena Abakanowicz ... peut dire qu’il « informe l’espace de sa présence ». L’intensité expressive des œuvres de Louis Le Brocquy face au clair-obscur du Personnage dans l’ombre de l’artiste espagnol s’accommode

working in multiple layers, cutting, scratching and digging back brings to mind the observation by Louis le Brocquy: "The painter, like the archaeologist, is a watcher, a supervisor of accident; patiently disturbing the surface

maternal womb, whose sparkles of yellow pigment give it its entire symbolic dimension. The impalpability of Louis le Brocquy’s Etre (Being) is part of the series he created after being dazzled upon seeing

Tallon’s role in designing a studio in the south of France for Anne Madden and Louis le Brocquy, a space Bacon visited and famously remarked that he envied. Through such works, O’Kane maps

leading graphic designer with the Signa Design Consultancy (set up in 1953 by Michael Scott and Louis le Brocquy), all the while continuing to test various ideas in his painting. On winning a National Prize

Purser, John and Jack B. Yeats, Casimir Markievicz, Auguste Rodin, Sarah Cecilia Harrison, Maurice MacGonigal and Louis le Brocquy. Dublin Divided: September 1913 is curated by Margarita Cappock. A fully illustrated catalogue will be available

Dublin born sculptor who co-represented Ireland at the 1956 Venice Biennale alongside painter Louis le Brocquy (1916 – 2012). As the first major retrospective exhibition of Heron’s work since 1964, this exhibition will seek

reflets de pigments jaunes donnent l’entière dimension symbolique. L’impalpable de l’Etre (Being), de Louis le Brocquy, fait partie de la série qu’il a réalisée à la suite de l’éblouissement provoqué