Art as art as philosophy

The capacity of art to make its ideas manifest

Edward Hopper looks at the American hotel

Newfields, Indianapolis

An interview with Philippe Courtois

Allegories of Megacities

Last meal

Jackie Black at the Parrish Art Museum, NY

The colours of music

Lisbeth Lunda new project: See-Soul-Sound

Other Processi 147

The 2019/2020 residents' projects at the Real Academia de España in Rome

A pioneer in abstraction, Lygia Clark

Painting as an experimental field, 1948-1958

My interview with Deborah Bell

Sentinels at Everard Read Gallery, London

Goodbye to Christo, from Santiago

The artist who packed the world and walked on water

An interview with Ahuva Zeloof

Diba Art Gallery, London

An interview with Alireza Karimi Moghaddam

Van Gogh for all. He is still alive: in cartoons!

Master of snapshots

Daido Moriyama’s cities of shadows and contrasts

The city, the mirror and other permitted ruses

Urban mirrors by Sergio Castiglione

Statues of limitation. Part II

The search for truth and beauty in the Anthropause

Processi 147

The 2019/2020 residents' projects at the Real Academia de España in Rome

In praise of solitude

Woman at the window

Matt Bollinger

Zürcher Gallery, Manhattan

Berlin’s Boros bunker

A concrete castle for contemporary art

An interview with Sara Captain

The indefinable side of the human soul

An interview with Vincenzo Marsiglia

United around a portrait

An interview with Ed Freeman

Finding beauty even where it is hard to see it

Lodhi Art District

A museum delivered at the doorsteps of your driveway

An interview with Jennifer Mien Mien Lin

Behind and in front of the camera

Russell Stephenson

The new artwork: full circle

Interview with Paul Gladston

Contemporary Chinese art and contemporaneity

A visit to the National Museum Fernand Léger

Between the hills and the deep blue sea

Affective Topographies

Postcards from the photographic observatory of Juan-Sí González

Interview with Yali Romagoza

My family has no idea of what I am doing

Adam Spear

In uncertain Times

Alfredo Ravelo

Mexico’s Wizard of Water Color

The Past is a Foreign Country

The very tangibility of art

Imran Qureshi

Out of Blue

Erik Minter

Don’t pass the Corona. A personal perspective during the pandemic

Zmurko, Szukalski and Wyspianski

Discovering Polish Art Collections

Katja Larsson

Aicon Contemporary, Manhattan

Interview with Anne-Flore Cabanis

The long and winding road

Jeremy Olson

Spring/Break Art Show, Manhattan

American Pastoral

Truth, Justice and the American Whey

The Musée Cognacq-Jay

A window onto the Enlightenment

Nancy Atakan and Kalliopi Lemos

Projecting the United States of Womanhood

Brunella Costa’s Photographs

Astonishment and abstract drive

Indios Brasileiros

Brazilian photographer Ricardo Stuckert goes beyond international borders

Carry a Song, Disrupt an Anthem

Nicholas Galanin at Peter Blum Gallery, Manhattan

Vive la résistance

Richard Deacon at Lisson Gallery, London

Small Disturbances

Andrea Lilienthal at Carter Burden Gallery, Manhattan

Citizen Project for a Museum of Collective Memory

L’Atelier de l’Observatoire at Collective Edinburgh

Checkered Passed

Jack Balas at ClampArt, Manhattan

May your Eyes see Wonderful Things

Treasures of the “Golden Pharaoh” continue to dazzle, mystify and astonish

In the Realm of Artificial Intelligence

Sneak preview of the new future

Eyes Bigger Than Stomachs

August Vilella from Caelis Galería, Barcelona

A Matter of Life and Death (and Art)

Art history through the lens of film

MakerArt

Contemporary art and new technologies

Vertical Stratigraphy

A brief portrait of Francis Cunningham

The Eye of the Artist

Images and dreams for our consumption

The Pioneer of Assemblage

The enduring curiosity of Joseph Cornell’s poetic theatres

The Queen is Dead and Disco Has Gone to War

Tony Cokes at Goldsmiths Centre for Contemporary Art

A World-Class Museum for Contemporary Art

The Jupiter Museum in Shenzhen, China

Casablanca Must See Museums

An invitation to visit Moroccan art collections

Red dots abounded

The Shenzhen International Art Fair, 2019

Return to Koyaanisqatsi

Metal Mountains: Landscapes of Waste

The Art of Natural Intelligence

Thoughts on the work of Antony Gormley

Painting As An Emotional State

An interview with Alessandro Moreschini

The Duration

Erika Winstone at Beaconsfield Gallery

Between Soul and Nature

Interview with Andrey Remnev

Cartoonish World and Music

Interview with Brandi Milne

The Barbershop Project by Devan Shimoyama

A Washington-based social practice art installation

The Touchy-Feely Foliage of Moon Beom

Kim Foster Gallery, New York City

Some of the Pristine Natural Environment that still Remained

The Cloud of Unknowing

Family Values

Interview with Stephen Patterson and Caroline de Guitaut

A Moment Before the World

Rabat presents its first Biennale Art

Light Cages

Dillwyn Smith at V.O. Curations

Op 'till You Drop

Bridget Riley at Hayward Gallery, London

146 Years of Research and Innovation

The Real Academia de España in Rome

The Myth and the Muses

Gustave Moreau at Home

The Arithmosophy by Agostino De Romanis

An indefinable and indefinite moment

Arts Gowanus director Johnny Thornton

Program director steps in as director of a new Brooklyn-based gallery

Contrariety

Farley Aguilar at Edel Assanti

The Cloud of Unknowing

The destruction of the contemporary American landscape

Blood and Cosmos

Weaving through Chiharu Shiota’s trembling soul

The Tortona Conestabile Madonna: a copy from Raphael?

Methodological issues around a newly emerged masterpiece

Art Shenzhen 2019

Will the buyers step forward?

Someone Told Me That I Was Very Brave…

Interview with Lisbeth Lunda

The Ties that Bind

An Interview with Embroidery artist Alison Carpenter-Hughes

A Life in Pictures

Tess Jaray, Karsten Schubert Gallery at the Vienna Contemporary

The Thousand Lives of Riccardo Gualino

An interview with Giorgio Caponetti

The Painting Exhibited at the Louvre Is Not the Mona Lisa

The true story of the Lady of Lo'bardia

The Stomach System

An interview to Rosalia Banet

Your Buyers Are Your Art

Dafen oil painting village, Shenzhen

An Artful Destiny

Studio visit with artist Mia Fonssagrives Solow

A Question of Aesthetics

John Carter at Redfern Gallery, London

Let the Underworld Emerge

The seabed of Mario Vespasiani

The Artist’s Hand

It follows that the soul is analogous to the hand (Aristotle)

Jeff Wall

New and recent works at the White Cube Mason's Yard, London

The Fragility of Human Existence

An interview to Penzo+Fiore

The Extraordinary Power of Art

Meeting with Teresa Torres De Eça