The Los Angeles County Museum of Art (LACMA) presents Zheng Chongbin: Golden state, which spotlights artist Zheng Chongbin’s explorations of water, light, movement, and California’s natural landscape. Zheng Chongbin: Golden state marks the artist’s largest solo presentation in the U.S. to date and the first major showcase of his work with colored pigments.

Over the past four decades, Zheng has cultivated a unique practice that engages the driving concepts and aesthetics of the L.A.-based Light and Space movement alongside East Asia’s tradition of ink painting, fusing seemingly disparate practices into signature painting and video techniques. He has lived in the San Francisco Bay Area for more than 30 years and draws inspiration from the region's distinctive atmosphere, environmental effects, and rich ecologies. Where previous presentations have contextualized his practice in the canon of Chinese ink painting alone, LACMA’s exhibition situates Zheng as a distinctly Californian artist.

Centered around video installation works Chimeric landscape (2015) and Mesh (2018), Zheng Chongbin: Golden state presents paintings and prints from LACMA’s permanent collection alongside new large-scale pieces created specifically for the exhibition. These include the show’s title work, Golden state (2024), and Untitled (2024), both experiments in Zheng’s signature technique combining ink and acrylic paint in geometric, abstract collages. The exhibition also features four works from LACMA's Fondation INK Collection that will be on view for the first time.

“Light, space, and nature are fundamental agents in Zheng’s works that aren’t always at the forefront of discussions surrounding his art,” said Susanna Ferrell, Wynn Resorts Associate Curator of Chinese Art at LACMA. “By emphasizing Zheng’s synthesis of techniques, materials, and influences, this exhibition offers visitors new ways to connect with his expansive, experimental practice.”

“Zheng Chongbin: Golden state is part of our ongoing commitment to present works by living Californian artists and to expand our region’s art historical narratives,” said Michael Govan, LACMA CEO and Wallis Annenberg Director. “Thanks in great part to the generosity of the Fondation INK, LACMA’s collection of Chinese and Chinese diasporic contemporary art continues to grow in support of new exhibitions and scholarship.”