The Lemberg machine, exhibition by Ukrainian artist Dana Kavelina (b. 1995), exploring the entangled histories of Poles, Ukrainians, and Jews in the city of Lviv (Lwów/Lemberg) during World War II. At the heart of the exhibition is Kavelina’s one-hour film, an evocative and uncompromising journey into the events surrounding the German occupation of 1941 and the brutal pogroms that followed.

Looking unflinchingly from a Ukrainian perspective, Kavelina interrogates the roles of both victims and victimizers. Her work challenges the viewer to confront difficult histories and resist the temptation of simplifying or silencing the past. Through poetic language, hand-crafted animation, and meticulously designed scenography, she gives a voice to the victims and builds a space where memory becomes tactile and ethically urgent.

The exhibition includes elements of the film’s scenography — fragments of a haunting world constructed by the artist herself — allowing visitors to physically enter the atmosphere of The Lemberg Machine.

Screenings of the film will take place at designated hours with comfortable seating provided, encouraging visitors to engage with the work in its entirety.

In a moment when questions of historical responsibility, national narratives, and the politics of memory are once again shaping public discourse across Europe, Kavelina’s work offers a deeply personal, artistically rigorous, and politically resonant contribution.

The film’s presentation at Galeria Labirynt will be its Polish premiere. The film was commissioned by the festival steirischer herbst ’23. In 2024, it was acquired for the MSN Warsaw collection.