Drawings in pencil proposes an exploration of form through the line, encompassing both the spatial and objectual dimensions of drawing. In this project, the artist transforms the pencil into more than just a tool: it becomes the fundamental compositional unit, defined by the straight line. The work is built upon a modular logic, where the orderly repetition of the object allows for the creation of complex, abstract structures.

These forms, which evoke isometric views and concentric compositions, arise from the physical characteristics of the pencil itself. The angles and the black and yellow stripes of Staedtler’s Noris pencils serve as formal guides and material constraints, shaping the visual development of each piece. The artist works not only with the graphic potential of the pencil but also with its physical presence—highlighting its color, texture, and shape.

Additionally, the act of sharpening introduces a temporal and processual dimension to the work. The artist alternates between worn-down pencils on the verge of disappearing and freshly sharpened ones, generating contrasts that reflect wear, time, and manual gesture. This approach emphasizes the ephemeral nature of the tool while also revealing its sculptural potential, inviting a reconsideration of the boundaries between drawing, object, and sculpture.