For more than 30 years, Jaume Plensa has accompanied his work as a sculptor with a substantial body of etchings, which have already been the focus of a number of retrospectives.
2018 has been an important year for the artist with a major installation in Madrid (Palacio de Cristal) and a show in Barcelona (MACBA), as well as the completion of a number of important works (les Trois alchimistes, Fondation Carmignac, Porquerolles ; Pacific Soul, San Diego…); it has also been a very productive year in terms of his etchings.
The artist has produced Symétrie, a large etching with sinuous and enveloping movement and two series: the six Alchimistes, engraved onto rounded copper and presenting the silhouettes of famous writers inserted in a sort of alphabetical bubble, and the seven digital prints of Lumière Invisible, with their very deep black backgrounds from whence emerge brilliant heads of young girls with their eyes closed.










![Mary Cassatt, Fillette dans un fauteuil bleu [Enfant dans le salon bleu] (detail), 1878. Courtesy of Musée d’Orsay](/attachments/3ddcf3630b2e6b21d055a8488350d949784be8fa/store/fill/330/330/9b97dc5b17cad42577b6453f0968e961b1231ceb2b8b5ceb2c09057b2695/Mary-Cassatt-Fillette-dans-un-fauteuil-bleu-Enfant-dans-le-salon-bleu-detail-1878-Courtesy-of.jpg)





