This two-part project reveals the multifaceted work of artist, writer and film director Roee Rosen (Rehovot, 1963).
The exhibition "Histoires dans la pénombre" presents two major works – The Blind Merchant (1989-1991), an alternative version of Shakespeare's Merchant of Venice told by a blind usurer and Vladimir’s Night (2011-2014), a political treatise on the dangers of fetishising an object – accompanied by a more recent film, The Dust Channel (2016), an operetta on purification in all its forms.
A retrospective of his films entitled "Sweet Sweat" also highlights the irony, or rather agility of Roee Rosen's pieces on History, transforming fiction into a polemic space for current political questions.












![Mary Cassatt, Fillette dans un fauteuil bleu [Enfant dans le salon bleu] (detail), 1878. Courtesy of Musée d’Orsay](/attachments/3ddcf3630b2e6b21d055a8488350d949784be8fa/store/fill/330/330/9b97dc5b17cad42577b6453f0968e961b1231ceb2b8b5ceb2c09057b2695/Mary-Cassatt-Fillette-dans-un-fauteuil-bleu-Enfant-dans-le-salon-bleu-detail-1878-Courtesy-of.jpg)



