Marjan Laaper approaches video as a sculptural medium, treating moving images as physical presences within space. Filmed from a single, fixed viewpoint—aligned with that of the viewer—her works are projected on a monumental scale, confronting the audience directly. These videos capture fleeting moments that appear to expand endlessly, evoking living sculptures or photographs brought gently into motion.

Through strategies of repetition and near-stillness, Laaper transforms time into a palpable element of the work. Movement is reduced to its bare minimum, allowing each gesture, breath, or shift to gain weight and intensity. Her installations create an atmosphere in which time seems to slow down, encouraging sustained attention and a contemplative mode of looking.

In the exhibition Loss, hope and wonder, animals take center stage as silent protagonists. They appear not as symbols or metaphors, but as autonomous beings, calmly occupying the frame. Their presence draws the viewer into moments of vulnerability, wonder, and quiet connection, opening a reflective space where fragility and resilience coexist.